{"id":16509,"date":"2026-02-27T13:34:40","date_gmt":"2026-02-27T11:34:40","guid":{"rendered":"https:\/\/unatc.ro\/devunatc\/?p=16509"},"modified":"2026-02-27T13:34:43","modified_gmt":"2026-02-27T11:34:43","slug":"inscriere-masterclass-adrian-martin","status":"publish","type":"post","link":"https:\/\/unatc.ro\/devunatc\/inscriere-masterclass-adrian-martin\/","title":{"rendered":"\u00censcriere masterclass Adrian Martin","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n

Centrul CARA (Carab\u0103\u021b Academic Research) de cercetare a scenaristicii \u0219i scrierii creative anun\u021b\u0103 cu bucurie primul s\u0103u eveniment al anului – o suit\u0103 de prelegeri sus\u021binute de o voce care une\u0219te rigoarea academic\u0103 cu efervescen\u021ba cinefil\u0103, o personalitate imens\u0103 a filmologiei contemporane, unul dintre cei mai prolifici \u0219i influen\u021bi critici de film \u0219i teoreticieni ai cinemaului actual: Adrian Martin.<\/p>\n\n\n\n

\u00cen luna martie, Adrian Martin va fi oaspete de onoare CARA, \u00eent\u00e2lnire facilitat\u0103 pentru UNATC de cinepub.ro.<\/a><\/p>\n\n\n\n

El va sus\u021bine un modul de cursuri de o lun\u0103, intitulat Alternative Paths for Escaping the Curse of the Scriptwriting Manual, dedicat studen\u021bilor, profesorilor \u0219i celor interesa\u021bi \u00een scenaristic\u0103.<\/p>\n\n\n\n

Masterclassul este compus din patru prelegeri, online, fiecare urmat\u0103 de o sesiune de Q&A, astfel:<\/p>\n\n\n\n

1. Critique of Normative, Rule-Bound Approaches to Screenwriting (05.03.2026)<\/p>\n\n\n\n

2. Forms and Structures: An Open Field (12.03.2026)<\/p>\n\n\n\n

3. What is a Cinematic Idea? (19.03.2026)<\/p>\n\n\n\n

4. Cinema Narrative and Television (series) Narrative: Possibilities and Pitfalls (26.03.2026)<\/p>\n\n\n\n

Toate prelegerile \u00eencep la ora 17.00, Q&A la ora 18.00. Inregistrarea lor de c\u0103tre participan\u021bi, sub orice form\u0103 (audio, video) este strict interzis\u0103.<\/p>\n\n\n\n

Accesul se face pe baz\u0103 de \u00eenscrieri prealabile, on a first come, first served basis, num\u0103rul de locuri fiind limitat. Au \u00eens\u0103 prioritate studen\u021bii \u0219i absolven\u021bii masterului de scenaristic\u0103 UNATC. Un num\u0103r de locuri va fi rezervat audien\u021bilor externi.<\/p>\n\n\n\n

Pentru \u00eenscriere, completa\u021bi formularul: https:\/\/docs.google.com\/…\/1FAIpQLSfi1FX7Ugu8oa…\/viewform<\/a><\/p>\n\n\n\n

Termenul-limit\u0103 al \u00eenscrierilor este 01.03.2026.<\/p>\n\n\n\n

\u201eL-am ales pe Adrian ca prim oaspete datorit\u0103 etichetei pe care \u0219i-o atribuie, de \u201dpasseur\u201d\u2014un mentor care mijloce\u0219te arta noilor genera\u021bii, realiz\u00e2nd o conexiune profund\u0103 \u0219i personal\u0103 \u00eentre spectator \u0219i universul vizual, \u00eenv\u0103\u021b\u00e2ndu-l, prin dragostea transmis\u0103, s\u0103 iubeasc\u0103, la r\u00e2ndu-i. Leg\u0103tura cu CARA este fireasc\u0103: apreciem la Adrian pasiunea ne\u021b\u0103rmurit\u0103 \u0219i generoas\u0103 pentru cinema, precum au avut-o corifeii no\u0219tri \u2013 Littera, Carab\u0103\u021b, Potra – dar \u0219i modalitatea debordant\u0103, manifest\u0103, cu care el \u00ee\u0219i \u00eemp\u0103rt\u0103\u0219e\u0219te dragostea, \u00een scris, verbal, obiectual sau gestual. Dincolo de un filmolog de geniu, Martin este un personaj, un revolu\u021bionar \u0219i un vizionar, larger than life, inspirational, cum pu\u021bini profesori mai sunt ast\u0103zi. De aceea, \u00eent\u00e2lnirea autorului textului-cult How to make a bad script worse, acest Syd Barrett (cite\u0219te doar: \u201dgeniu\u201d) al criticii de film alternative, este pentru noi un privilegiu. Un moment de gra\u021bie.\u201d (Lucian Georgescu, fondator & coordonator CARA).<\/p>\n\n\n\n

Pentru un cineast \u00een formare, universul teoretic al lui Adrian Martin este esen\u021bial deoarece el prive\u0219te textul nu ca pe o entitate izolat\u0103, ci ca pe o component\u0103 organic\u0103 a \u201emise en sc\u00e8ne\u201d. \u00cen siajul Making a bad script worse, Martin construie\u0219te o critic\u0103 aplicat\u0103 \u201ere\u021betelor\u201d industriale de succes \u0219i a manualelor, argument\u00e2nd c\u0103 obsesia pentru structura rigid\u0103 \u00een trei acte \u0219i \u201eplot points\u201d, 22 de pa\u0219i, 10 pagini de setup, un singur arc narativ, cinci subploturi, o unic\u0103 paradigm\u0103, etc., sufoc\u0103 creativitatea \u0219i poten\u021bialul poetic al pove\u0219tii. El pledeaz\u0103 pentru un storytelling care las\u0103 loc ambiguit\u0103\u021bii \u0219i atmosferei, tem\u0103 pe care o exploreaz\u0103 \u00een eseurile sale video realizate al\u0103turi de Cristina \u00c1lvarez L\u00f3pez pentru platforme precum Fandor sau MUBI.<\/p>\n\n\n\n

Despre Adrian Martin:<\/p>\n\n\n\n

N\u0103scut \u00een 1959 \u00een Melbourne, profesor asociat la Monash University, visiting la Goethe-Universit\u00e4t \u0219i El\u00edas Querejeta Zine Eskola (San Sebasti\u00e1n), Martin s-a mutat \u00een Spania, de unde a continuat s\u0103 colaboreze cu publica\u021bii importante \u2013 Cahiers du Cin\u00e9ma, Sight and Sound, De Filmkrant sau jurnalul online LOLA (pe care l-a cofondat). A primit, pentru capacitatea sa de a eleva discursul despre film la rang de literatur\u0103, Pascall Prize for Critical Writing (1993), singurul premiu major australian dedicat criticii de art\u0103. \u00cen 2005 a fost distins cu Byron Kennedy Award al Academiei Australiane de Cinema \u0219i Televiziune, care recompenseaz\u0103 \u201eurm\u0103rirea neobosit\u0103 a excelen\u021bei \u0219i originalitatea \u00een domeniul ecranului\u201d. Are o prezen\u021b\u0103 remarcabil\u0103 \u00een \u201ehome cinema\u201d, cu peste o sut\u0103 de comentarii audio pentru edi\u021bii de colec\u021bie Criterion \u0219i Arrow Video. Denumit \u0219i \u201dvocea Criterion\u201d, el a primit \u00een 2021 Premiul DVD Awards la Il Cinema Ritrovato (Bologna), pentru expertiz\u0103 \u00een analiza filmelor clasice pe suport fizic.<\/p>\n\n\n\n

Bibliografia sa num\u0103r\u0103 titluri fundamentale, de la Phantasms: The Dreams and Desires at the Heart of Our Popular Culture (1994) – care l-a impus ca un \u201eMontaigne al pop culture\u201d – \u0219i p\u00e2n\u0103 la Mise en sc\u00e8ne and Film Style: From Classical Hollywood to Art Cinema, The Mad Max Movies (BFI Classics, 2014). Mysteries of Cinema: Reflections on Film Theory, History and Culture 1982-2016 (2020), a fost publicat\u0103 \u00een rom\u00e2n\u0103 la Vellant, cu o prefa\u021b\u0103 de Radu Jude. Tot Jude prefa\u021beaz\u0103 \u0219i Filmmakers Thinking (New York: Sticking Place Books, 2024), iar Martin \u00eei face acolo o superb\u0103 reveren\u021b\u0103.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

Centrul CARA (Carab\u0103\u021b Academic Research) de cercetare a scenaristicii \u0219i scrierii creative anun\u021b\u0103 cu bucurie primul s\u0103u eveniment al anului…<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":1,"featured_media":16510,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[180,219,176],"tags":[],"erasmus_universities_programs":[],"class_list":["post-16509","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anunturi","category-masterclass","category-stiri"],"acf":{"alternative_page_title":"","page_contact_email":""},"yoast_head":"\n\u00censcriere masterclass Adrian Martin - UNATC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/unatc.ro\/devunatc\/inscriere-masterclass-adrian-martin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00censcriere masterclass Adrian Martin - 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