{"id":13567,"date":"2024-05-26T22:17:57","date_gmt":"2024-05-26T20:17:57","guid":{"rendered":"https:\/\/unatc.ro\/devunatc\/shakespeare-punctul-cardinal-care-transpune-universalul-in-particularul-binomului-tempo-spatial-acum-si-aici\/"},"modified":"2024-05-26T22:17:57","modified_gmt":"2024-05-26T20:17:57","slug":"shakespeare-punctul-cardinal-care-transpune-universalul-in-particularul-binomului-tempo-spatial-acum-si-aici","status":"publish","type":"post","link":"https:\/\/unatc.ro\/devunatc\/shakespeare-punctul-cardinal-care-transpune-universalul-in-particularul-binomului-tempo-spatial-acum-si-aici\/","title":{"rendered":"Shakespeare \u2013 punctul cardinal\u00a0care transpune universalul \u00een particularul binomului tempo-spa\u021bial \u201eacum \u0219i aici\u201d","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"
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Interviu Alexander Hartmann (Teatrologie) \u2013 Vlad Dr\u0103gulescu<\/p>\n

Festivalul Interna\u021bional Shakespeare, aflat la a XIV-a edi\u021bie, desf\u0103\u0219urat \u00een perioada 16-26 mai 2024, reune\u0219te peste 300 de evenimente: spectacole, concerte, expozi\u021bii, parade, sesiuni de comunic\u0103ri, conferin\u021be, lans\u0103ri de carte, ateliere teatrale studen\u021be\u0219ti etc. Nume consacrate ale regiei de teatru, dintre care amintim Robert Wilson, Peter Brook, Declan Donnellan, Robert Lepage sunt punctul central al programului Festivalului, c\u0103rora li se al\u0103tur\u0103 tineri afla\u021bi la primele spectacole, prezentate \u00een sec\u021biunea special dedicat\u0103, UNATC Fringe Festival \u2013 Shakespeare unleashes students.\u00a0<\/p>\n

Fondat \u00een 1994, Festivalul Interna\u021bional Shakespeare de la Craiova<\/a> este organizat de Teatrul Na\u021bional \u201eMarin Sorescu\u201d din Craiova \u0219i Funda\u021bia Shakespeare, c\u0103rora, la 30 de ani de la prima edi\u021bie, li se adaug\u0103 ca partener Universitatea Na\u021bional\u0103 de Art\u0103 Teatral\u0103 \u0219i Cinematografic\u0103 \u201eI. L. Caragiale\u201d, Bucure\u0219ti.<\/p>\n

Pentru o privire de ansamblu asupra Festivalului, st\u0103m de vorb\u0103 cu domnul Vlad Dr\u0103gulescu, pre\u0219edintele Festivalului Interna\u021bional Shakespeare, directorul Direc\u021biei Crea\u021bie \u0219i Cercetare Artistic\u0103 a Teatrului Na\u021bional \u201eMarin Sorescu\u201d Craiova, c\u0103ruia \u00eei mul\u021bumim pentru amabilitatea de a r\u0103spunde invita\u021biei noastre.<\/p>\n

Alexander Hartmann<\/strong>: Dubl\u0103 specializare \u00een actorie \u0219i agricultur\u0103, cu facult\u0103\u021bi urmate o perioad\u0103 \u00een paralel, multiple ini\u021biative \u0219i proiecte \u00een domeniul cultural ca pre\u0219edinte al Asocia\u021biei I.S. Dr\u0103gulescu, fondator al Companiei Teatrulescu, fondator al Teatrului Cel Mai Mic, profesor asociat la Facultatea de Litere \u2013 Departamentul de Arte \u00een perioada 2007 \u2013 2009, din 2012 \u0219i p\u00e2n\u0103 \u00een 2016 manager al Filarmonicii \u201eOltenia\u201d din Craiova \u0219i director al Festivalului Interna\u021bional Craiova Muzical\u0103, pre\u0219edinte al Asocia\u021biei Craiova Capital\u0103 European\u0103 a Culturii 2021, \u00een intervalul 2013-2014, din noiembrie 2016 director artistic al Teatrului Na\u021bional \u201eMarin Sorescu\u201d, din 2021 vicepre\u0219edinte al ESFN \u2013 European Shakespeare Festivals Network, ini\u021biatorul proiectului \u201eHEKTOMERON \u2013 100 days \/ 100 stories \/ 100 directors from 100 countries\u201d, pre\u0219edintele Festivalului Interna\u021bional Shakespeare, aflat la a 14-a edi\u021bie, sunt tot at\u00e2tea ipostaze \u00een care Vlad Dr\u0103gulescu a demonstrat de-a lungul carierei c\u0103 este un om c\u0103ruia nu-i displac provoc\u0103rile<\/strong>.\u00a0<\/p>\n

Care au fost \u0219i sunt principalele provoc\u0103ri \u00een organizarea Festivalului Interna\u021bional Shakespeare?<\/strong><\/p>\n

Vlad Dr\u0103gulescu<\/strong>: Ele vin din dimensiunea Festivalului, care este \u00eentotdeauna fluctuant\u0103, de exemplu anul acesta avem 380 de evenimente \u00een 70 de spa\u021bii. Provocarea este s\u0103 reu\u0219im s\u0103 construim o structur\u0103 prin aceste evenimente \u0219i prin aceste spa\u021bii, astfel \u00eenc\u00e2t aceasta s\u0103 \u00eensemne ceva pentru oamenii care vin la spectacolele respective. Anul acesta deviza este \u201eComunit\u0103\u021bile construiesc Festivalul\u201d \u0219i practic provoc\u0103rile de aici vin, din implicarea c\u00e2t mai multor comunit\u0103\u021bi, din a da c\u00e2t mai multor oameni voce, pentru c\u0103 avem o varietate de forme \u00een care putem s\u0103 ne exprim\u0103m \u0219i s\u0103 \u00eencerc\u0103m s\u0103 g\u0103sim un Shakespeare pentru fiecare. Aceasta este principala provocare: s\u0103 ajungem la oameni. Organizatoric \u2013 sigur \u2013 tot timpul sunt provoc\u0103ri, sunt dificult\u0103\u021bi; dar, \u00een ciuda sacrificiilor, suntem ferici\u021bi pentru c\u0103 reu\u0219im, cu toate eforturile pe care le face \u00eentreaga echip\u0103, care, \u00een prezent, are 500 de oameni, s\u0103 aducem \u00een fa\u021ba oamenilor ceea ce ne-am propus \u0219i s\u0103-i vedem z\u00e2mbind, s\u0103-i vedem bucur\u00e2ndu-se, s\u0103-i vedem pl\u00e2ng\u00e2nd \u00een cazul \u00een care sunt emo\u021biona\u021bi \u00een felul acesta \u0219i, cel mai mult \u0219i cel mai mult, s\u0103-i vedem \u00een interac\u021biune \u0219i s\u0103 sim\u021bim c\u0103 suntem \u00eempreun\u0103 \u0219i c\u0103 reu\u0219im, \u00eempreun\u0103 cu publicul, s\u0103 cre\u0103m acest festival.<\/p>\n

A.H.: Aceasta anticipeaz\u0103 urm\u0103toarea mea \u00eentrebare, care este simpl\u0103: De ce Shakespeare? Cu to\u021bii am avut o prim\u0103 \u00eent\u00e2lnire cu opera lui William Shakespeare, fie c\u0103 a fost la un spectacol de teatru, lectur\u00e2ndu-i textele sau urm\u0103rind o ecranizare. Faptul c\u0103 se joac\u0103 de mai bine de patru secole dovede\u0219te c\u0103 textele sale au trecut cu brio testul timpului, cu toate c\u0103, \u00een func\u021bie de epoc\u0103 \u0219i spa\u021biu, au existat aspecte diferite cu care oamenii au rezonat din opera marelui dramaturg. De ce Shakespeare pentru Vlad Dr\u0103gulescu \u0219i pentru societate acum \u0219i aici?<\/strong><\/p>\n

V.D.<\/strong>: \u00cen primul r\u00e2nd, a \u00eenceput cu Shakespeare pentru c\u0103 domnul Boroghin\u0103 era \u0219i este un mare iubitor al operei lui Shakespeare. R\u0103spunsul meu este c\u0103 este cea mai bun\u0103 form\u0103, \u00een arta noastr\u0103 teatral\u0103, de a comunica. Shakespeare se monteaz\u0103 oriunde \u00een lume. Dac\u0103 te duci \u00een Burkina Faso, vei g\u0103si un spectacol Shakespeare; fiecare teatru, fiecare form\u0103 de exprimare pentru mine este important\u0103: te duci \u00een Japonia, te duci \u00een Argentina, te duci oriunde \u0219i, practic, Shakespeare devine un limbaj interna\u021bional. Cu to\u021bi \u00eenv\u0103\u021b\u0103m c\u0103 exist\u0103 Nord, c\u0103 exist\u0103 Sud, c\u0103 exist\u0103 Vest, c\u0103 exist\u0103 Est. \u0218i cu to\u021bii \u00eenv\u0103\u021b\u0103m c\u0103 exist\u0103 Shakespeare. Shakespeare este un punct cardinal suplimentar, care se mi\u0219c\u0103 \u00eentre Nord, Sud, Vest\u2026 Este acel lucru care ne une\u0219te, din punctul nostru de vedere ca oameni de teatru, dar \u0219i ca spectatori \u2013 cred c\u0103 sunt foarte pu\u021bini oameni care nu au auzit m\u0103car o dat\u0103 numele Wiliam Shakespeare sau nu au auzit m\u0103car o dat\u0103 de Romeo \u0219i Julieta sau Visul unei nop\u021bi de var\u0103. Noi \u00eel folosim poate mai mult ca niciodat\u0103 pe Shakespeare nu s\u0103 vorbim despre teatru, ci s\u0103 vorbim despre oameni, pentru c\u0103 Shakespeare a studiat foarte bine acest lucru \u0219i iat\u0103 c\u0103 se potrive\u0219te cu at\u00e2tea culturi din lume. At\u00e2tea culturi iau personajele lui Shakespeare, le adopt\u0103: dac\u0103 vorbim de Japonia, spectacolul Richard al II-lea, la Sala \u201eI. D. S\u00e2rbu\u201d, sau dac\u0103 vorbim de spectacolul trupei Tang Shu-wing Theatre Studio, regizat de Tang Shu-wing, un spectacol non-verbal, personajele lui Shakespeare \u0219i-au g\u0103sit loc \u00een cultura din Hong Kong \u0219i a rezultat acest spectacol f\u0103r\u0103 cuvinte, automat accesibil tuturor. Vorbim de un Hamlet flamenco \u2013 un altfel de limbaj \u2013, un Hamlet coregrafic, al lui Robert Lepage, de la finalul Festivalului, sau \u2013 de ce nu? \u2013 un Hamlet bazat pe actor \u0219i pe textul pe care actorul \u00eel spune, al lui Declan Donellan, de asemenea prezent \u00een Festival. Dac\u0103 at\u00e2tea comunit\u0103\u021bi \u0219i at\u00e2tea culturi reu\u0219esc s\u0103 \u0219i-l apropie pe Shakespeare \u0219i s\u0103-l foloseasc\u0103 pentru a-\u0219i exprima identitatea, \u00eenseamn\u0103 c\u0103 \u00eentr-adev\u0103r acest punct cardinal devine un soi de creuzet \u00een care lucrurile se amestec\u0103: problemele cotidiene cu probleme pe care omenirea le-a avut dintotdeauna \u0219i poate cu probleme anticipate, ale viitorului, pentru c\u0103 de multe ori avem regizori care sunt vizionari \u0219i pot s\u0103 anticipeze prin crea\u021bia lor ceva din ceea ce urmeaz\u0103 s\u0103 se \u00eent\u00e2mple.<\/p>\n

A.H.<\/strong>: Participarea Universit\u0103\u021bii Na\u021bionale de Art\u0103 Teatral\u0103 \u0219i Cinematografic\u0103 la Festivalul Interna\u021bional Shakespeare a luat amploare cu fiecare edi\u021bie, anul acesta colaborarea dintre Teatrul Na\u021bional <\/strong>\u201eMarin Sorescu\u201d Craiova \u0219i UNATC concretiz\u00e2ndu-se \u00een proiectul \u201eEduca\u021bie prin \u0219i pentru cultur\u0103 \u0219i arte\u201d, cu un num\u0103r de 450 de studen\u021bi implica\u021bi \u00een peste 100 de evenimente \u2013 spectacole de teatru, coregrafice, de p\u0103pu\u0219i-marionete, parade, sesiuni de \u00eentreb\u0103ri \u0219i r\u0103spunsuri, expozi\u021bii permanente, instala\u021bii performative, ateliere de jocuri teatrale, sesiuni de comunic\u0103ri, ateliere de cercetare etc. <\/strong>Care sunt direc\u021biile de dezvoltare interinstitu\u021bional\u0103 pe care Teatrul \u0219i le propune \u00een rela\u021bie cu UNATC \u0219i alte institu\u021bii academice?\u00a0<\/strong><\/p>\n

V.D.<\/strong>: Revin la deviza noastr\u0103, men\u021bionat\u0103 la \u00eenceput: \u201eComunit\u0103\u021bile construiesc Festivalul\u201d, pentru c\u0103 mai mult ca niciodat\u0103 vrem s\u0103 d\u0103m \u00eenapoi oamenilor ceea ce primim de la ei. Sigur, acesta este un festival sprijinit majoritar de institu\u021bii publice: Prim\u0103ria Municipiului Craiova, Ministerul Culturii, Ministerul Educa\u021biei, Consiliul Jude\u021bean Dolj, Institutul Cultural Rom\u00e2n; \u0219i automat aceasta ne face pe noi s\u0103 fim datori tuturor oamenilor de unde provin aceste resurse, \u00een sensul de a le da \u00eenapoi ceva, iar cel mai important lucru pe care-l putem da se adreseaz\u0103 tinerilor. \u0218i pentru a ajunge la tineri automat avem nevoie de cea mai puternic\u0103 resurs\u0103, practic de sufletul oric\u0103rui festival: de studen\u021bi \u0219i de tineri. UNATC este \u00een mod logic partenerul cel mai indicat \u0219i m\u0103 bucur teribil c\u0103 a\u021bi venit al\u0103turi de noi \u0219i c\u0103 sunte\u021bi, de anul acesta, coorganizator al Festivalului \u0219i veni\u021bi cu acest suflu t\u00e2n\u0103r: merge\u021bi \u00een \u0219coli, face\u021bi toate aceste activit\u0103\u021bi [nn<\/em>. men\u021bionate \u00een \u00eentrebare], care nu fac altceva dec\u00e2t s\u0103 construiasc\u0103 viitorul. \u00cempreun\u0103 construim un viitor public, \u00eempreun\u0103 construim viitori actori, viitori regizori \u0219i cred c\u0103 mai important dec\u00e2t tot e s\u0103 construim viitori oameni, prin aceast\u0103 rela\u021bie \u00een care venim cu spectacole de v\u00e2rf, cum ar fi cele ale lui Robert Wilson, Peter Brook, Robert Lepage, dar venim \u0219i cu cei care \u00een prezent sunt pe b\u0103ncile UNATC \u0219i mergem cu ei p\u00e2n\u0103 pe b\u0103ncile \u0219colilor din Craiova, \u00een cadrul ac\u021biunilor organizate de studen\u021bi. Construim \u0219i, practic, pentru mine este foarte important s\u0103 \u00eenv\u0103\u021b\u0103m foarte mult de la societate. Noi \u00eenv\u0103\u021b\u0103m foarte mult de la voi, de la studen\u021bi, voi \u00eenv\u0103\u021ba\u021bi de la societate \u0219i to\u021bi, \u00eempreun\u0103, \u00eenv\u0103\u021b\u0103m \u0219i \u00een\u021belegem cum ar trebui s\u0103 construim un festival al viitorului. \u00cen viitor, peste 10 ani, sper s\u0103 nu mai \u0219tie nimeni cine este organizatorul, cine este directorul, ci s\u0103 \u0219tie c\u0103, la sf\u00e2r\u0219it de mai, trebuie s\u0103 facem Festivalul: fie c\u0103 vorbim de comunit\u0103\u021bi academice \u2013 Universitatea de Medicin\u0103 \u0219i Farmacie din Craiova ni s-a al\u0103turat printr-un simpozion, Universitatea din Craiova prin Facultatea de Litere, Facultatea de Automatic\u0103, de Mecanic\u0103, de Horticultur\u0103, de Economie \u2013, fie c\u0103 vorbim de comunit\u0103\u021bile de locuire, unde spectacolele se desf\u0103\u0219oar\u0103, uneori \u00een cur\u021bile blocurilor \u0219i, gradual, \u0219i \u00een scara blocului. Practic UNATC, \u00eempreun\u0103 cu Teatrul Na\u021bional \u0219i cu Funda\u021bia Shakespeare vor da un model cultural \u2013 educa\u021bional de convie\u021buire \u0219i de via\u021b\u0103, pentru c\u0103, \u00een definitiv, fie c\u0103 este el de teatru sau de muzic\u0103, festivalul este o s\u0103rb\u0103toare a vie\u021bii, pe care o realiz\u0103m \u00eempreun\u0103.\u00a0<\/p>\n

Interviu realizat de\u00a0<\/p>\n

ALEXANDER HARTMANN<\/strong> (Teatrologie, licen\u021b\u0103 \u2013 Jurnalism Cultural anul I),\u00a0<\/p>\n

av\u00e2ndu-l ca invitat pe\u00a0<\/p>\n

VLAD DR\u0102GULESCU<\/strong> (Director Direc\u021bia Crea\u021bie \u0219i Cercetare Artistic\u0103 al Teatrului Na\u021bional \u201eMarin Sorescu\u201d Craiova, Pre\u0219edintele Festivalului Interna\u021bional Shakespeare)<\/p>\n<\/div>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

Interviu Alexander Hartmann (Teatrologie) \u2013 Vlad Dr\u0103gulescu Festivalul Interna\u021bional Shakespeare, aflat la a XIV-a edi\u021bie, desf\u0103\u0219urat \u00een perioada 16-26 mai…<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":167,"featured_media":13568,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[265],"tags":[],"erasmus_universities_programs":[],"class_list":["post-13567","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fringe-unatc"],"acf":{"alternative_page_title":"","page_contact_email":""},"yoast_head":"\nShakespeare \u2013 punctul cardinal\u00a0care transpune universalul \u00een particularul binomului tempo-spa\u021bial \u201eacum \u0219i aici\u201d - UNATC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/unatc.ro\/devunatc\/shakespeare-punctul-cardinal-care-transpune-universalul-in-particularul-binomului-tempo-spatial-acum-si-aici\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Shakespeare \u2013 punctul cardinal\u00a0care transpune universalul \u00een particularul binomului tempo-spa\u021bial \u201eacum \u0219i aici\u201d - 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