{"id":13561,"date":"2024-05-25T17:54:00","date_gmt":"2024-05-25T15:54:00","guid":{"rendered":"https:\/\/unatc.ro\/devunatc\/azilul-de-teatru\/"},"modified":"2024-05-25T17:54:00","modified_gmt":"2024-05-25T15:54:00","slug":"azilul-de-teatru","status":"publish","type":"post","link":"https:\/\/unatc.ro\/devunatc\/azilul-de-teatru\/","title":{"rendered":"Azilul de teatru","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"
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C\u00e2nd spunem Shakespeare, probabil c\u0103 avem o imagine \u00een minte, cel pu\u021bin orientativ, cu care asociem acest nume. Poate o p\u0103dure plin\u0103 de z\u00e2ne \u0219i licurici, poate regi excentrici \u0219i regine impun\u0103toare. \u00cens\u0103, arta ne \u00eenva\u021b\u0103 c\u0103 nu e bine s\u0103 avem idei preconcepute, c\u0103ci astfel nu ne mai l\u0103s\u0103m surprin\u0219i.\u00a0<\/p>\n

Lauren\u021biu Tudor, \u00een spectacolul al c\u0103rei regie o semneaz\u0103, \u201eAtena 5\u201d, propune un Shakespeare \u00eentr-un spa\u021biu unde probabil nu ne-am g\u00e2ndi c\u0103 l-am putea g\u0103si pe autor. La azilul de b\u0103tr\u00e2ni. Pornind de la scena cu me\u0219te\u0219ugarii din \u201eVisul unei nop\u021bi de var\u0103\u201d, reziden\u021bii azilului se hot\u0103r\u0103sc s\u0103-\u0219i fac\u0103 \u0219i ei un spectacol al lor, pe care s\u0103-l propun\u0103 apoi \u00een Festivalul Interna\u021bional Shakespeare de la Craiova. Gagul recurent \u201eHai mai repede c\u0103 festivalul nu st\u0103 dup\u0103 voi\u201d, al\u0103turi de trimiterile comice la domnul Boroghin\u0103 (\u201eS\u0103 repet\u0103m. Ca \u0219i c\u00e2nd am fi \u00een fa\u021ba domnului Boroghin\u0103.\u201d), insufl\u0103 av\u00e2nt artistic \u00een protagoni\u0219tii no\u0219tri care abia a\u0219teapt\u0103 s\u0103-\u0219i etaleze talentul adormit, nevalorificat p\u00e2n\u0103 la venerabila lor v\u00e2rst\u0103. Niciodat\u0103 nu e prea t\u00e2rziu s\u0103 te \u00eemprietene\u0219ti cu scena, aparent.\u00a0<\/p>\n

Pornind de la castingul pe care-l desf\u0103\u0219oar\u0103 Madam Gutuie (Raluca P\u0103un) la \u00eenceputul spectacolului (analiz\u00e2nd tacticos poze cu actori celebri precum Anthony Hopkins), regizorul creeaz\u0103 un contrast comic \u00eentre lentoarea \u00een mi\u0219care a b\u0103tr\u00e2nilor \u0219i comportamentul lor infantil. De la glume de pu\u0219ti de liceu, la fraze ajunse virale cum ar fi \u201eNu ap\u0103.\u201d, la jocuri de actorie \u0219i a\u0219a mai departe, textul shakespearian cap\u0103t\u0103 \u00eencet o form\u0103 inedit\u0103.<\/p>\n

Fiecare personaj pare s\u0103 trimit\u0103 la o tipologie. Avem cuplul comic, un fel de Stan \u0219i Bran ai azilului, format din domnul Sub\u021birelu\u2019 (Bogdan Opr\u0103nescu) \u0219i domnul Flaut (C\u0103t\u0103lin Miculeasa). O avem pe domni\u0219oara Fundulea (Valentin Motroc), care e orice dar nu domni\u0219oar\u0103. De gen sau otherwise<\/em>, dac\u0103 e s\u0103 ne lu\u0103m dup\u0103 spusele domnului Sub\u021birelu\u2019 \u0219i ale domnului Flaut. (Que<\/em> pentru un alt gag: \u201eDomni\u0219oar\u0103 pe dracu.\u201d) Madam Gutuie, regizoarea spectacolului, \u00eentreprinde fiecare ac\u021biune cu voia Domnului \u0219i a tuturor sfin\u021bilor din calendar iar doamna Bl\u00e2ndu\u2019 (Anca Maria Ghi\u021b\u0103) este acea b\u0103tr\u00e2nic\u0103 firav\u0103, pentru care a\u0219teptarea mor\u021bii a devenit un laitmotiv. Poate rolul Leului, care \u00eei este distribuit, \u00eei va mai insufla o f\u0103r\u00e2m\u0103 de via\u021b\u0103.\u00a0<\/p>\n

De aici, textul lui Shakespeare se \u00eemplete\u0219te cu realitatea personajelor de la azil. Cei cinci arti\u0219ti emergen\u021bi ajung la concluzia c\u0103 doamnele din sal\u0103 n-ar putea suporta s\u0103 vad\u0103 pe scen\u0103 ac\u021biuni grote\u0219ti precum \u00eenjunghierea sau lei dezl\u0103n\u021bui\u021bi. A\u0219adar, trebuie f\u0103cut c\u00e2te un prolog, zis \u0219i disclaimer<\/em>, ca s\u0103 nu ne pasc\u0103 vreun le\u0219in. Madam Gutuie preia ini\u021biativa: \u201eScoate\u021bi o foaie de h\u00e2rtie\u201d, fraza care b\u00e2ntuie orice spirit care a c\u0103lcat vreodat\u0103 prin \u0219coala general\u0103, iar cei patru actori se pun pe compus. Muzic\u0103. Ca s\u0103 ne arate c\u0103 sunt m\u00e2ndri posesori at\u00e2t ai talentului actoricesc, c\u00e2t \u0219i al unor urechi muzicale des\u0103v\u00e2r\u0219ite (excluz\u00e2ndu-l pe domnul Flaut care ne informeaz\u0103 c\u0103 e cam surd), cei patru compun prologul din varii sunete care \u00eentocmesc o melodie ritmat\u0103. Aceast\u0103 inser\u021bie este o alternativ\u0103 comic\u0103, f\u0103c\u00e2nd trimitere la jocurile de actorie din facultate, dar func\u021bioneaz\u0103 \u0219i ca mijloc de alternare a ritmului spectacolului.\u00a0<\/p>\n

Avem deci valoroasele disclaimere<\/em>, c\u00e2teva panouri (cam de spital), pe post de scenografie \u0219i la piece de resistance<\/em>, un set de tobe. Deci avem spectacol. Pe sf\u00e2nta sc\u00e2ndur\u0103 p\u0103\u0219e\u0219te Madam Gutuie spre a porni reprezenta\u021bia. Aceasta binecuv\u00e2nteaz\u0103 \u00eenceputul cu un c\u00e2ntec bisericesc, av\u00e2nd ca acompaniament pe fundal evlavioasa melodie Du Hast<\/em>, de la Rammstein. Emo\u021bionant p\u00e2n\u0103 la lacrimi. Evident, de la r\u00e2s. \u00cen aceast\u0103 not\u0103 comic\u0103 purcede reprezenta\u021bia. Dup\u0103 tot efortul admirabil, \u00eentreprins de ace\u0219ti pensionari curajo\u0219i, reprezenta\u021bia se termin\u0103 la \u00een\u0103l\u021bime, cu un dans energic.\u00a0<\/p>\n

Spectacolul \u201eAtena 5\u201d, regizat de Lauren\u021biu Tudor, este o reinterpretare surprinz\u0103toare a textului shakespearian. Echipa jongleaz\u0103 bine cu linia dintre realitatea pensionarilor \u0219i realitatea textului lui Shakespeare pe care \u00eel abordeaz\u0103, \u00eempletind veridic cele dou\u0103 planuri. Este un spectacol care \u00ee\u0219i propune s\u0103 st\u00e2rneasc\u0103 r\u00e2sul \u0219i reu\u0219e\u0219te cu brio, at\u00e2t datorit\u0103 mijloacelor comice utilizate, c\u00e2t \u0219i a interpret\u0103rii actorilor.<\/p>\n

Cronic\u0103 realizat\u0103 de<\/p>\n

ANDREEA TELEHOI <\/strong>(Teatrologie, Master anul II \u2013 Management \u0219i Marketing Cultural)<\/p>\n

ATENA 5\u00a0<\/strong><\/p>\n

Dup\u0103 William Shakespeare\u00a0<\/p>\n

Traduc\u0103tor: Lauren\u021biu Tudor<\/p>\n

\u00a0Nume companie: Tipografia Hub<\/p>\n

\u021aar\u0103 companie: Rom\u00e2nia<\/p>\n

Regizor: Lauren\u021biu Tudor<\/strong><\/p>\n

Cu:<\/strong><\/p>\n

Raluca P\u0103un<\/p>\n

Anca Maria Ghi\u021b\u0103<\/p>\n

C\u0103t\u0103lin Miculeasa<\/p>\n

Motroc Valentin<\/p>\n

Bogdan Opr\u0103nescu<\/p>\n<\/div>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

C\u00e2nd spunem Shakespeare, probabil c\u0103 avem o imagine \u00een minte, cel pu\u021bin orientativ, cu care asociem acest nume. Poate o…<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":167,"featured_media":13562,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[265],"tags":[],"erasmus_universities_programs":[],"class_list":["post-13561","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fringe-unatc"],"acf":{"alternative_page_title":"","page_contact_email":""},"yoast_head":"\nAzilul de teatru - UNATC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/unatc.ro\/devunatc\/azilul-de-teatru\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Azilul de teatru - UNATC\" \/>\n<meta property=\"og:description\" content=\"C\u00e2nd spunem Shakespeare, probabil c\u0103 avem o imagine \u00een minte, cel pu\u021bin orientativ, cu care asociem acest nume. 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