{"id":13554,"date":"2024-05-24T20:09:36","date_gmt":"2024-05-24T18:09:36","guid":{"rendered":"https:\/\/unatc.ro\/devunatc\/scorpia-cest-nous\/"},"modified":"2024-05-24T20:09:36","modified_gmt":"2024-05-24T18:09:36","slug":"scorpia-cest-nous","status":"publish","type":"post","link":"https:\/\/unatc.ro\/devunatc\/scorpia-cest-nous\/","title":{"rendered":"Scorpia c\u2019est nous","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"
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\u201eSpune-ne cu cine te-ai m\u0103ritat ca s\u0103-\u021bi zic \u00een ce te-ai metamorfozat.\u201d<\/em><\/p>\n

Mai este Shakespeare contemporanul nostru? Aceasta-i \u00eentrebarea. Problemele abordate de c\u0103tre autor \u00een piesele sale mai reprezint\u0103 un subiect de interes pentru publicul din 2024? R\u0103spunsul tinde s\u0103 fie un \u201eDa\u201d indiscutabil, indiferent de persoana pe care o \u00eentreb\u0103m. Problema e de alt\u0103 natur\u0103. \u00cel mai putem aborda pe Shakespeare f\u0103r\u0103 s\u0103 intervenim asupra textelor sale sau este necesar s\u0103 le actualiz\u0103m? S\u0103 le rescriem \u0219i s\u0103 le aducem mai aproape de spectatorul modern? \u00cen ce m\u0103sur\u0103 mai empatiz\u0103m ast\u0103zi cu grijile lui Lady Anne \u00een fa\u021ba tiraniei regelui? \u00cen ce m\u0103sur\u0103 mai recunoa\u0219tem eroii lui Shakespeare \u00een omul de r\u00e2nd al secolului XXI?<\/p>\n

Conform unei vorbe iste\u021be: \u201eLupu-\u0219i schimb\u0103 p\u0103rul, dar n\u0103ravul ba.\u201d, istoria se repet\u0103 constant, oric\u00e2t avem impresia c\u0103 facem lucrurile altfel. Nu ne mai putem ast\u0103zi confrunta cu un Richard excentric care \u00ee\u0219i trage \u00een \u021beap\u0103 supu\u0219ii la prima gre\u0219eal\u0103, dar asta nu \u00eenseamn\u0103 c\u0103 popoarele nu mai pot fi este asuprite, c\u0103 oamenii nu mai pot fi executa\u021bi de conduc\u0103tori ilu\u0219tri, m\u00e2na\u021bi de dorin\u021ba altruist\u0103 de a-l ajuta\u2026\u00a0 Dar s\u0103 revenim la oile noastre.<\/p>\n

\u201eScorpia ne\u00eembl\u00e2nzit\u0103\u201d, \u00een regia Letei Popescu de la Teatru Na\u021bional din Cluj este o rescriere colorat\u0103 a piesei lui Shakespeare. \u201e\u00cembl\u00e2nzirea scorpiei\u201d este probabil cea mai nefeminist\u0103 \u0219i neprogresist\u0103 pies\u0103 a marelui dramaturg. Este o pies\u0103 care plaseaz\u0103 femeia \u00eentr-o pozi\u021bie de care aceasta \u00eencearc\u0103 s\u0103 se desprind\u0103 cu orice pre\u021b ast\u0103zi. Alegerea acestui text pentru a transmite un mesaj feminist este cel pu\u021bin ironic\u0103, dar \u00een acela\u0219i timp o provocare. Linia dintre extrem\u0103 \u0219i echilibru este foarte fin\u0103 c\u00e2nd \u00eencerc\u0103m s\u0103 atragem aten\u021bia asupra unor excese care au ajuns s\u0103 \u00eemp\u00e2nzeasc\u0103 societatea ca o molim\u0103. Multe rele se ascund sub umbrela politically corectnessului, dar a\u0219a se-nt\u00e2mpl\u0103 \u00een general cu ideologiile. Deci cum facem s\u0103 le combatem f\u0103r\u0103 a ne expune dezbr\u0103ca\u021bi \u00een fa\u021ba tunurilor?<\/p>\n

Cum lucrurile serioase sunt de obicei acceptate mai bine c\u00e2nd sunt servite \u00een glum\u0103, una dintre solu\u021biile pentru a dezbate subiecte cu iz de praf de pulbere este s\u0103 le \u00eembr\u0103c\u0103m \u00een \u201ecioace\u201d. Varianta \u201ez\u0103p\u0103ce\u0219te publicul\u201d p\u00e2n\u0103 nu mai \u0219tie exact despre ce vorbim func\u021bioneaz\u0103 \u0219i ea, la nevoie. Leta pare s\u0103 propun\u0103 o combina\u021bie amuzant\u0103 \u00eentre aceste dou\u0103 strategii. Deschiz\u00e2nd vreo cinci fire narative de-a lungul spectacolului (care-\u0219i afl\u0103 concluzia p\u00e2n\u0103 la final), actorii reu\u0219esc s\u0103 \u021bin\u0103 publicul atent datorit\u0103 structurii care creeaz\u0103 constant senza\u021bia de randomness<\/em>. Cumva, nu \u0219tim niciodat\u0103 de unde o s\u0103 sar\u0103 iepurele, iar la un moment dat publicul \u00eencepe s\u0103 anticipeze apari\u021bia acestuia.<\/p>\n

Conflictul principal este ciocnirea dintre credin\u021bele sus\u021binute de arti\u0219tii de formare clasic\u0103, versus<\/em> arti\u0219tii care propun forme noi (conservatori versus<\/em> progresi\u0219ti). Avem un Treplev \u00een Ana (dramaturga care rescrie textul \u00een spectacol, interpretat\u0103 de S\u00e2nziana Tar\u021ba) \u0219i \u00een Ruxandra (regizoarea din spectacol, interpretat\u0103 de Diana Buluga) \u0219i avem un Trigorin \u00een vedeta trupei, Andrei (Radu L\u0103rgeanu). Ruxandra aspir\u0103 la afec\u021biunea celor de la Schaub\u0215hne. (Pas\u0103rea m\u0103lai viseaz\u0103, cum se spune.) Iar Andrei este preocupat de publicul din sal\u0103 \u0219i de valorile a\u0219a zis clasice, privind felul \u00een care trebuie montat un spectacol. Un conflict secundar apare \u00eentre vecinul lui Andrei, venit pentru prima oar\u0103 la teatru \u0219i, desigur, turmentat \u0219i toat\u0103 echipa tehnic\u0103 (plasatoare, dramaturg\u0103, regizoare etc) care \u00eencearc\u0103 disperat\u0103 s\u0103-l scoat\u0103 din sal\u0103 ca s\u0103 poat\u0103 porni reprezenta\u021bia. Se izbute\u0219te, \u00eentr-un final, s\u0103 se dea drumul la spectacol, dup\u0103 ce se stabile\u0219te conexiunea via wi-fi cu providen\u021ba german\u0103.<\/p>\n

Dar, cum ziceam, soarta scorpiei este foarte dureroas\u0103 pentru femeia emancipat\u0103 a secolului XXI. Cu siguran\u021b\u0103 nu dorim s\u0103 ne punem \u00een pantofii ei. \u00cens\u0103 Leta, prin personajul dramaturgei care rescrie piesa lui Shakespeare al\u0103turi de regizoarea din spectacol, g\u0103se\u0219te o solu\u021bie pentru a aduce aceast\u0103 eroin\u0103 mai aproape de femeia contemporan\u0103. Reprezenta\u021bia \u00eencepe cu Iulia (actri\u021ba care o joac\u0103 pe Cristina \u00een spectacol, interpretat\u0103 de Diana-Ioana Licu), t\u00e2n\u0103r\u0103 care ne va prezenta \u201e\u00cembl\u00e2nzirea scorpiei\u201d f\u0103c\u00e2nd o analogie \u00eentre piesa lui Shakespeare \u0219i mariajul p\u0103rin\u021bilor ei. Catarina (Cecilia Lucanu-Donat) este exponentul mamei sale, Petruchio (Cosmin St\u0103nil\u0103) al tat\u0103lui \u0219i tot a\u0219a. Povestea este plasat\u0103 \u00een perioada comunist\u0103, iar Cristina prezint\u0103 spiritul liber al mamei, comparativ cu la\u0219itatea tat\u0103lui. Mama ei asculta Rom\u00e2nia Liber\u0103 la volum maxim cu geamurile deschise, pe c\u00e2nd tat\u0103l ei asculta \u0219i el canalul interzis, \u00eens\u0103 sub ad\u0103postul pl\u0103pumii. Aceast\u0103 fiin\u021b\u0103 luminoas\u0103 care este mama ei e \u00eempins\u0103 de familie \u0219i de circumstan\u021be \u00eentr-o c\u0103snicie pe care nu \u0219i-o dore\u0219te. Aici se lanseaz\u0103 o teorie. \u00cenainte de c\u0103s\u0103torie femeia se afl\u0103 \u00een stadiul de pup\u0103. Tranzi\u021bia c\u0103tre fluture sau g\u00e2ndac se produce \u00een func\u021bie de rezultatele c\u0103sniciei. Concluzia este destul de clar\u0103 din start, av\u00e2nd \u00een vedere c\u0103 t\u00e2n\u0103ra revoltat\u0103 \u00ee\u0219i nume\u0219te tat\u0103l \u201eg\u00e2ndac\u201d \u00eenc\u0103 de la \u00eenceput.<\/p>\n

Trebuie s\u0103 l\u0103murim faptul c\u0103 spectatorul urm\u0103re\u0219te mai multe planuri, deoarece avem de-a face \u0219i cu teatru \u00een teatru. \u00cen tot haosul (o stare care reflect\u0103 bine spiritul rom\u00e2nesc), apare un al 15-lea fir narativ, prin mama unuia dintre actori, aflat\u0103 \u00een public, care intervine ocazional \u00een ac\u021biune. Ea este exact femeia pe care-\u0219i doresc autoarele s-o reprezinte prin rescrierea piesei. Numai c\u0103 doamna nu vrea s\u0103 fie reprezentat\u0103 \u0219i g\u0103se\u0219te analogia cu g\u00e2ndacul de-a dreptul jignitoare, fapt care o for\u021beaz\u0103 pe dramaturg\u0103 s\u0103-\u0219i recunoasc\u0103 misoginismul internalizat. Ar fi de prisos s\u0103 v\u0103 spunem mai multe despre ac\u021biunea propriu-zis\u0103, deoarece nu-i putem cuprinde farmecul \u00een cuvinte. Este o experien\u021b\u0103 care trebuie tr\u0103it\u0103.<\/p>\n

Prin toate aceste instan\u021be se atrage aten\u021bia asupra unor comportamente \u0219i atitudini care au \u00eenceput s\u0103 se remarce tot mai frecvent at\u00e2t \u00een teatru, c\u00e2t \u0219i \u00een art\u0103 \u00een general. Din dorin\u021ba de a ne adapta tendin\u021belor, ne expunem riscului de a fi lua\u021bi de val. Nu trebuie s\u0103 ne poticnim \u00een ce a fost odat\u0103, dar nici s\u0103 respingem posibilitatea progresului, at\u00e2t timp c\u00e2t acesta aduce un plus de valoare artei. Putem visa la Schaubuhne, dar nu trebuie s\u0103-i pierdem din vedere pe \u201eai no\u0219tri\u201d. Este minunat\u0103 \u00eencurajarea progresului, dar n-ar trebui s\u0103 ne lep\u0103d\u0103m \u00een totalitate nici de mantia clasicilor. Cum spune Sergiu (Adrian Cucu), spectatorul nostru turmentat, trebuie g\u0103sit un echilibru. Sigur, \u00eentotdeauna vor fi cei care spun c\u0103 nici cum nu e bine. Doar c\u0103 nu-i putem mul\u021bumi pe to\u021bi. Dar \u00eei putem facem s\u0103 r\u00e2d\u0103.<\/p>\n

Spectacolul Letei este o adaptare simpatic\u0103, amuzant\u0103, care trateaz\u0103 subiecte serioase din spatele m\u0103\u0219tii de bufon. Sigur, misoginismul internalizat, sexismul \u0219i nedrept\u0103\u021bile nu se pot rezolva f\u0103r\u0103 adoptarea unei pozi\u021bii ferme, dar o astfel de abordare poate deschide un dialog amical, f\u0103r\u0103 a trezi \u00een vreuna din tabere (progresist\u0103 sau conservatoare) revolta.
Doar s\u0103 sper\u0103m c\u0103 nu ajungem la vorba lui P\u0103unescu:<\/p>\n

\u201eDou\u0103 sute de ani! At\u00e2t!
Ave\u0163i r\u0103bdare, nu chema\u0163i salvarea,
nu exagera\u0163i, nu cr\u00e2cni\u021bi,
regresa\u0163i cu noi!\u201d<\/p>\n

Cronic\u0103 realizat\u0103 de\u00a0<\/p>\n

ANDREEA TELEHOI <\/strong>(Teatrologie, Master anul II \u2013 Management \u0219i Marketing Cultural)\u00a0<\/p>\n

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SCORPIA NE\u00ceMBL\u00c2NZIT\u0102 \u2013 REGIA LETA POPESCU \u2013 TEATRUL NA\u021aIONAL CLUJ<\/a><\/p><\/blockquote>\n<\/div>\n<\/figure>\n

SCORPIA NE\u00ceMBL\u00c2NZIT\u0102<\/strong><\/p>\n

Dup\u0103 William Shakespeare<\/p>\n

Text de spectacol de Leta Popescu, dup\u0103 o adaptare de Maria Manolescu<\/p>\n

Traduc\u0103tor:<\/strong> Violeta Popa\u00a0<\/p>\n

Nume companie:<\/strong> Teatrul Na\u021bional \u201eLucian Blaga\u201d Cluj-Napoca<\/p>\n

\u021aar\u0103 companie:<\/strong> Rom\u00e2nia<\/p>\n

Regizor: Leta Popescu<\/strong><\/p>\n

Distribu\u021bia:<\/strong><\/p>\n

Ruxandra, regizoarea spectacolului \u2013 Diana Buluga<\/strong><\/p>\n

Ana, autoarea rescrierii \u2013 S\u00e2nziana Tar\u021ba<\/strong><\/p>\n

Sergiu, un spectator \u2013 Adrian Cucu<\/strong><\/p>\n

Virginia, o spectatoare \u2013 Irina Wintze<\/strong><\/p>\n

Geta, plasatoarea teatrului \u2013 Patricia Brad<\/strong><\/p>\n

Vic\u0103, regizor tehnic \u2013 Silvius Iorga<\/strong><\/p>\n

Miha, sufleor \u2013 Irina Barbir<\/strong><\/p>\n

Andrei, actorul-vedet\u0103 care \u00eel joac\u0103 pe Baptista \u2013 Radu L\u0103rgeanu<\/strong><\/p>\n

Mihai, actorul care \u00eel joac\u0103 pe Petruccio \u2013 Cosmin St\u0103nil\u0103<\/strong><\/p>\n

Irina, actri\u021ba care o joac\u0103 pe Caterina \u2013 Cecilia Lucanu-Donat<\/strong><\/p>\n

Drago\u0219, actorul care \u00eel joac\u0103 pe Hortensio \u2013 Radu Dogaru<\/strong><\/p>\n

Alina, actri\u021ba care o joac\u0103 pe Bianca \u2013 Alexandra Tarce<\/strong><\/p>\n

Iulia, actri\u021ba care o joac\u0103 pe Cristina \u2013 Diana-Ioana Licu<\/strong><\/p>\n

Echipa de crea\u021bie:<\/strong><\/p>\n

Scenografia: Bogdan Sp\u0103taru<\/p>\n

Muzica: Radu Dogaru<\/p>\n

Coregrafia: Andrea Gavriliu<\/p>\n

Asisten\u021b\u0103 de regie \u0219i colaje video: Irina Caraul\u0103<\/p>\n

Asistent de coregrafie: Ioana Moldovan<\/p>\n

Design lumini: Jenel Moldovan<\/p>\n<\/div>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

\u201eSpune-ne cu cine te-ai m\u0103ritat ca s\u0103-\u021bi zic \u00een ce te-ai metamorfozat.\u201d Mai este Shakespeare contemporanul nostru? Aceasta-i \u00eentrebarea. Problemele…<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":167,"featured_media":13555,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[265],"tags":[],"erasmus_universities_programs":[],"class_list":["post-13554","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fringe-unatc"],"acf":{"alternative_page_title":"","page_contact_email":""},"yoast_head":"\nScorpia c\u2019est nous - UNATC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/unatc.ro\/devunatc\/scorpia-cest-nous\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Scorpia c\u2019est nous - UNATC\" \/>\n<meta property=\"og:description\" content=\"\u201eSpune-ne cu cine te-ai m\u0103ritat ca s\u0103-\u021bi zic \u00een ce te-ai metamorfozat.\u201d Mai este Shakespeare contemporanul nostru? 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