{"id":13524,"date":"2024-05-23T17:49:37","date_gmt":"2024-05-23T15:49:37","guid":{"rendered":"https:\/\/unatc.ro\/devunatc\/imaginatie-si-sminteala-quique-quinto-in-lupta-cu-pericolul-maturizarii\/"},"modified":"2024-05-23T17:49:37","modified_gmt":"2024-05-23T15:49:37","slug":"imaginatie-si-sminteala-quique-quinto-in-lupta-cu-pericolul-maturizarii","status":"publish","type":"post","link":"https:\/\/unatc.ro\/devunatc\/imaginatie-si-sminteala-quique-quinto-in-lupta-cu-pericolul-maturizarii\/","title":{"rendered":"\u201eImagina\u021bie \u0219i sminteal\u0103\u201d:\u00a0Quique Quinto \u00een lupt\u0103 cu pericolul maturiz\u0103rii","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"
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Foto credit: Gabriel Morales<\/em><\/figcaption><\/figure>\n<\/div>\n

De cele mai multe ori, la prima impresie, nu am asocia teatrul pentru copii cu ideea de meta-teatralitate. Tot a\u0219a cum, cel mai probabil, nu am asocia piesele istorice shakespeariene cu cabaretul. \u00cens\u0103 spectacolul \u201e\u00bfQue con Quique Quinto? \/ What with Quique Quinto? \/ Ce-i cu Quique al V-lea?\u201d al trupei EFE TRES Teatro & Doctor Misterio (Mexic), \u00een regia lui Andr\u00e9s Carre\u00f1o, \u00eembin\u0103 toate aceste elemente \u2013 \u0219i le \u00eembin\u0103 \u00een formula perfect echilibrat\u0103, care asigur\u0103 un spectacol de succes \u0219i cu multe surprize la bordul navei sale.\u00a0<\/p>\n

\u00a0Un prolog cu muzic\u0103 realizat\u0103 live<\/em> dezv\u0103luie ceea ce va fi componenta auditiv\u0103 care va \u00eenso\u021bi \u00eentregul spectacol. C\u00e2nt\u00e2nd dintr-o chitar\u0103 mic\u0103, pe alocuri \u2013 dup\u0103 nevoie \u2013 f\u0103c\u00e2nd sunete ambientale, cu un repertoriu vocal de la beatbox<\/em> la oper\u0103, \u00eenregistr\u00e2ndu-se \u0219i juc\u00e2ndu-se cu sample<\/em>-urile create live <\/em>pe launchpad<\/em>, unul dintre cele trei personaje ale spectacolului apare pentru a r\u0103m\u00e2ne constant pe scen\u0103: cine altcineva dec\u00e2t Ariel, bunul \u0219i creativul spirit-prieten al lui Prospero. Ariel (Claudia Arellano) va sta mereu \u00eentr-un spa\u021biu delimitat de \u201escena de joc\u201d, \u00een timp ce Zote (Montserrat \u00c1ngeles Peralta) \u0219i Foca (Fernando Villa) vor prezenta publicului o poveste frumoas\u0103, \u00eenduio\u0219\u0103toare, specific\u0103 basmelor pentru copii.\u00a0<\/p>\n

Iat\u0103, a\u0219adar, esen\u021ba \u00eenveli\u0219ului meta-teatral al acestui spectacol: un actor \u0219i o actri\u021b\u0103 se prezint\u0103 \u00een fa\u021ba publicului drept dou\u0103 personaje care vor prezenta o poveste, pe ale c\u0103rei personaje le vor juca ei doi, asum\u00e2ndu-\u0219i diferite roluri, interac\u021bion\u00e2nd \u00eentotdeauna at\u00e2t cu publicul, c\u00e2t \u0219i cu Ariel, afla\u021bi \u00een afara spa\u021biului de joc conven\u021bional.<\/p>\n

Metafora folosit\u0103 pentru a prezenta trupa de teatru ambulant\u0103 este elegant\u0103 \u0219i profund\u0103: Zote \u0219i Foca sunt actorii Cabaretului Nautilius<\/em>, care se plimb\u0103 \u00eentr-o barc\u0103 pe \u201em\u0103rile imagina\u021biei\u201d \u0219i prin \u201eoceanul teatrului\u201d \u00een c\u0103utare de noi t\u0103r\u00e2muri unde s\u0103 joace pove\u0219ti. \u0218i, printr-o sesiune distractiv\u0103 de interac\u021biune cu publicul, ace\u0219tia doi afl\u0103 c\u0103 au sosit pe \u201einsula Craiova\u201d.<\/p>\n

Odat\u0103 stabilit\u0103 premisa \u00een premis\u0103, se anun\u021b\u0103 ce se va juca: piesa lui William Shakespeare, \u201eHenry al V-lea\u201d, dar nu a\u0219a cum e scris\u0103 ea; ci o adaptare a trupei Cabaretul Nautilius<\/em>. O licen\u021b\u0103 poetic\u0103 (teatral\u0103) le permite, astfel, s\u0103 \u00eei adapteze \u0219i numele, \u0219i povestea personajului eponim: Henry V \u00een spaniol\u0103 devine Enric V \u2013 Quique Quinto.\u00a0<\/p>\n

Quique Quinto (jucat de Foca, jucat de Fernando Villa) nu este Henry al V-lea al lui Shakespeare, regele din istoria s\u00e2ngeroas\u0103 a Angliei, care intr\u0103 \u00een lupt\u0103 cu Fran\u021ba, pentru c\u0103 ar fi primit un cuf\u0103r cu mingi de tenis din partea Delfinului. Quique nu porne\u0219te la r\u0103zboi \u00eempotriva regelui Fran\u021bei, nu ucide nobili englezi din cauza unei tentative de tr\u0103dare, nu ucide un soldat din propria armat\u0103 ca demonstra\u021bie a politicii sale \u00eempotriva furtului pe c\u00e2mpul de lupt\u0103, nu asediaz\u0103 ora\u0219e fran\u021buze\u0219ti, nu ordon\u0103 uciderea solda\u021bilor ostatici francezi \u0219i nu se \u00eendr\u0103goste\u0219te de prin\u021besa Fran\u021bei pentru a forma o alian\u021b\u0103 \u00eentre cele dou\u0103 state prin c\u0103s\u0103torie.<\/p>\n

Quique Quinto este un copil de opt ani, plin \u201ede depresie \u0219i de lene\u201d \u2013 un slogan pe care publicul de toate v\u00e2rstele \u00eenva\u021b\u0103 repede s\u0103 \u00eel repete cu entuziasm ori de c\u00e2te ori \u00eei este indicat de actorul mexican (care \u00eel roste\u0219te chiar \u00een limba rom\u00e2n\u0103!). Quique prime\u0219te din partea Corbului cel R\u0103u, sol al Regelui OrdindeInterzis, mingi de tenis. Dar nu porne\u0219te un r\u0103zboi cu cel din urm\u0103 din cauza aceasta. El porne\u0219te \u00een c\u0103l\u0103torie spre t\u0103r\u00e2mul Cenzurii numai atunci c\u00e2nd supu\u0219ii s\u0103i, reprezenta\u021bi de Sir \u021a\u00e2nc P\u00e2ine cu Lapte (conduc\u0103torul bebelu\u0219ilor, jucat de Zote) \u0219i Lady Ochi Tandri (p\u0103pu\u0219a-robot, ambasadoarea juc\u0103riilor pierdute, jucat\u0103 tot de Zote) \u00eei spun c\u0103 au nevoie de resurse pentru a da petreceri.\u00a0<\/p>\n

Quique se \u00eembarc\u0103 (la propriu \u0219i la figurat) \u00eentr-o aventur\u0103 spre t\u0103r\u00e2mul adul\u021bilor, un t\u0103r\u00e2m searb\u0103d, secat de fericire \u0219i condus de un rege cu comportament literalmente de maimu\u021b\u0103 \u021binut\u0103 \u00een cu\u0219c\u0103. Un comportament care \u00eei amuz\u0103 pe cei mici \u0219i care este, \u00een acela\u0219i timp, un semn destinat recept\u0103rii adul\u021bilor din public: este o reprezentare simbolic\u0103 pentru lipsa de libertate \u0219i de imagina\u021bie a adul\u021bilor, care nu mai pot g\u00e2ndi creativ (\u00een compara\u021bie cu imagina\u021bia \u00eenc\u0103 bogat\u0103 a lui Quique).<\/p>\n

\u201e\u00bfQue con Quique Quinto? \/ What with Quique Quinto? \/ Ce-i cu Quique al V-lea?\u201d devine, astfel, un fel de Bildungsroman teatral \u00een ritmuri, culori, pantomim\u0103, personaje \u0219i ac\u021biuni tipice basmelor pentru copii. Song<\/em>-urile specifice cabaretului sunt catchy<\/em> pentru publicul t\u00e2n\u0103r: copiii prezen\u021bi \u00een sal\u0103 se bucurau de structura spectacolului, familiar\u0103 din filmele de anima\u021bie destinate lor; \u00een timp ce pentru publicul matur, \u00eentocmai \u00eendeplinindu-\u0219i scopul, song<\/em>-urile erau un comentariu la adresa unor teme care trec u\u0219or peste capul micu\u021bilor. Refrene precum cele \u00een care via\u021ba de adult este descris\u0103 ca fiind \u201eregatul f\u0103r\u0103 lumini\u201d, \u201eregatul interdic\u021biilor\u201d, o mare pe care doar \u201ecu iubire, furtunile vin \u0219i pleac\u0103\u201d sau momente de rap<\/em> \u00een care se explic\u0103 faptul c\u0103 \u201eo problema nu e o problem\u0103 dac\u0103 nu are o solu\u021bie\u201d r\u0103sun\u0103 ad\u00e2nc \u00een con\u0219tiin\u021ba publicului matur.<\/p>\n

Pantomima simpl\u0103, eficace \u0219i corect executat\u0103, schimb\u0103rile de costum, de voce, de ticuri verbale sau fizice, de atitudine \u0219i de postur\u0103 realizate pentru fiecare personaj \u00een parte sunt elemente care \u00eei amuz\u0103 pe cei mici \u0219i care \u00eei impresioneaz\u0103 pe cei mari. De asemenea, folosirea eficient\u0103 a fiec\u0103rui obiect de decor (funie, lantern\u0103, g\u0103le\u021bi, buc\u0103\u021bi de material, be\u021be, t\u0103l\u0103ngi etc.) reprezint\u0103 un aspect care urmeaz\u0103 \u00een mod riguros teoria de teatru conform c\u0103reia sunt acceptate \u00een scen\u0103 exclusiv obiectele ce vor fi folosite (\u0219i, \u00een acest caz, foarte bine reutilizate) de c\u0103tre interpre\u021bi.\u00a0<\/p>\n

\u00a0P\u00e2n\u0103 la urm\u0103, \u201e\u00bfque con Quique Quinto\u201d? R\u0103spunsul este simplu: se maturizeaz\u0103. Este surprins\u0103 tranzi\u021bia unui copil \u00eentr-un adolescent rebel (care conduce, simbolic, o revolu\u021bie \u00eempotriva cenzurii specific\u0103 adul\u021bilor). Rebeliunea sa nu este f\u0103r\u0103 cauz\u0103: el militeaz\u0103 pentru o via\u021b\u0103 de viitor adult care s\u0103 \u00ee\u0219i p\u0103streze, totu\u0219i, culorile vii ale anilor \u201eimagina\u021biei \u0219i smintelii\u201d.\u00a0<\/p>\n

Ce-i cu publicul? Publicul t\u00e2n\u0103r, de v\u00e2rsta lui Quique, se distreaz\u0103 pentru c\u0103 intr\u0103 u\u0219or \u00een universul colorat creat de actorii ambulan\u021bi ai Cabaretului Nautilius<\/em> \u0219i de prietenul lor, Ariel; copiii se bucur\u0103 sincer de toate c\u00e2ntecele, de toate jocurile de lumini \u0219i de toate gag<\/em>-urile pe care ace\u0219tia le fac. Publicul matur, de v\u00e2rsta lui Foca \u0219i a Zotei, are ocazia s\u0103 se \u00eentoarc\u0103 la v\u00e2rsta inocen\u021bei, la v\u00e2rsta la care \u201el\u0103s\u0103m magia teatrului s\u0103 ne p\u0103trund\u0103\u201d (astfel \u00eendemna un alt song<\/em> al spectacolului).\u00a0<\/p>\n

Trebuie s\u0103 pre\u021buim aceast\u0103 lec\u021bie oferit\u0103 \u00een chip distractiv \u0219i necesar copil\u0103ros de c\u0103tre marinarii-actori ambulan\u021bi ai navei Cabaretul Nautilius<\/em>. S\u0103 nu uit\u0103m c\u0103 Zote \u0219i Foca au venit tocmai din Mexic \u0219i \u00een Craiova \u201eau existat pentru o clip\u0103, c\u0103ci navigheaz\u0103 ne\u00eencetat\u201d, s\u0103 aduc\u0103 bucurie \u00een toate insulele-ora\u0219e din oceanul teatrului \u0219i din m\u0103rile imagina\u021biei.\u00a0<\/p>\n

Cronic\u0103 realizat\u0103 de<\/p>\n

ANDRADA \u2013 IOANA COICIU<\/strong> (Teatrologie, master anul I \u2013 Studii de Teatru \u0219i Performance)<\/p>\n

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Foto credit: Gabriel Morales<\/em><\/figcaption><\/figure>\n<\/div>\n
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Foto credit: Gabriel Morales<\/em><\/figcaption><\/figure>\n<\/div>\n
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Poster de Andr\u00e9s Carre\u00f1o<\/em><\/figcaption><\/figure>\n<\/div>\n

(https:\/\/www.shakespearefestival.online\/eveniment\/que-con-quique-quinto-regia-andres-carreno-efe-tres-teatro-mexic\/<\/a>)<\/p>\n

Nume companie:<\/strong> EFE TRES Teatro & Doctor Misterio, Mexic<\/p>\n

Regizor:<\/strong> Andr\u00e9s Carre\u00f1o<\/p>\n

Distribu\u021bie:<\/strong><\/p>\n

Montserrat \u00c1ngeles Peralta \u2013 Zote<\/p>\n

Fernando Villa \u2013 Foca<\/p>\n

Claudia Arellano \u2013 Ariel<\/p>\n

Echipa de crea\u021bie:<\/strong><\/p>\n

Muzic\u0103 original\u0103<\/strong> \u2013 Claudia Arellano<\/p>\n

Costume, lumini, scenografie <\/strong>\u2013 Mauricio Ascencio<\/p>\n

Machiaj <\/strong>\u2013 Brenda Castro<\/p>\n

Poster design<\/strong> \u2013 Wendy Quintanar<\/p>\n

Fotografie<\/strong> \u2013 INBA\/CITRU, fot. Gabriel Morales<\/p>\n

Produc\u0103tor executiv<\/strong> \u2013 Allan Flores<\/p>\n<\/div>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

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