{"id":13442,"date":"2024-05-20T17:36:37","date_gmt":"2024-05-20T15:36:37","guid":{"rendered":"https:\/\/unatc.ro\/devunatc\/hamlet-domnia-singuratatii-care-fragilizeaza\/"},"modified":"2024-05-20T17:36:37","modified_gmt":"2024-05-20T15:36:37","slug":"hamlet-domnia-singuratatii-care-fragilizeaza","status":"publish","type":"post","link":"https:\/\/unatc.ro\/devunatc\/hamlet-domnia-singuratatii-care-fragilizeaza\/","title":{"rendered":"Hamlet \u2013 domnia singur\u0103t\u0103\u021bii care fragilizeaz\u0103","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"
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Despre ce articuleaz\u0103 Hamlet<\/em>? Care sunt ideile dezvoltate de Shakespeare \u00een laboratorul s\u0103u de lucru umanist? \u00cen ce puncte atinge el poezia nesf\u00e2r\u0219it\u0103 \u0219i fream\u0103tul inepuizabil al lumii? Mai presant, \u00eens\u0103, CINE ESTE HAMLET?<\/strong> Cuplul artistic Declan Donnellan \u0219i Nick Ormerod semneaz\u0103 cea mai recent\u0103 montare \u00een spa\u021biul teatral rom\u00e2nesc a binecunoscutei tragedii elisabetane \u0219i ofer\u0103, poate, cel mai pertinent r\u0103spuns pentru ultima \u00eentrebare.\u00a0<\/p>\n

Hamlet, creat \u0219i umanizat de actorul Vlad Udrescu, este locatarul prezentului. Hamlet este un ecou al timpului nostru, un t\u00e2n\u0103r al secolului 21. Marginal \u0219i singur, nemaipomenit de singur, aflat \u00een pragul unei c\u0103deri psihice, el este obligat s\u0103 se arunce, \u00een geac\u0103 de blugi \u0219i pantofi stiletto, \u00eentr-un exerci\u021biu de echilibristic\u0103 f\u0103r\u0103 plas\u0103. Tragedia prin\u021bului danez este m\u0103rturia c\u0103derii omului contemporan \u00een golul abisal al nesiguran\u021bei, disper\u0103rii, spaimei.\u00a0<\/p>\n

\u00centr-o scenografie minimal\u0103, pe o scen\u0103 goal\u0103 \u0219i \u00eengust\u0103 ca o plan\u0219\u0103 de scrim\u0103, cu actorii \u00eembr\u0103c\u00e2nd personaje \u00een nuan\u021be de \u201egri office\u201d, spectacolul produs de Teatrul Na\u021bional \u201eMarin Sorescu\u201d din Craiova devine o augmentare f\u0103r\u0103 rest a realului. Realul disolu\u021biei ireparabile a adev\u0103rului \u0219i sensului. Realul singur\u0103t\u0103\u021bii complete. Realul fatalit\u0103\u021bii crude. Realul \u00een care se doarme somnul inocen\u021bei noastre. Realul vibr\u00e2nd la cruzimea \u0219i tic\u0103lo\u0219ia lumii. Realul furat de dragoste \u0219i decen\u021b\u0103. Realul doar o \u201ef\u00e2\u0219ie de de\u0219ert\u201d, a\u0219a cum protagonistul spectacolului \u00eel instituie.\u00a0<\/p>\n

Meritul absolut al acestei mont\u0103ri rezid\u0103 \u00een dou\u0103 aspecte: \u00een coagularea trupei teatrului \u00een jurul acestui eveniment <\/em>artistic, deja un punct de referin\u021b\u0103 pentru stagiunea 2024, \u0219i \u00een modul \u00een care creatorii s\u0103i, de la regizor, scenograf, la traduc\u0103tor \u0219i actori deopotriv\u0103, au reu\u0219it s\u0103 adapteze textul shakespearian, t\u0103i\u00e2nd, prescurt\u00e2nd, esen\u021bializ\u00e2nd. T\u0103ieturile operate la nivel de dramaturgie de regizorul britanic \u2013 suprimarea personajului Hora\u021bio, anularea r\u0103zboiului cu vecinul Fortinbras \u0219i, deci, estomparea laturii politice, prin contramandarea r\u0103zboiului extern \u0219i a vrajbelor interne \u2013 conduc la poten\u021barea dimensiunii care prive\u0219te nemijlocit disperare de a fi \u0219i umanitatea \u00een criz\u0103, explorate cu candoare, fragilitate, ingeniozitate de Vlad Udrescu.\u00a0<\/p>\n

Hamletul pe care actorul craiovean \u00eel construie\u0219te este o fiin\u021b\u0103 visceral\u0103 \u0219i eteral\u0103, \u00een acela\u0219i timp. Vlad Udrescu portretizeaz\u0103 expresiv \u0219i nefalsificat un om a c\u0103rui scindare interioar\u0103 ajunge vizibil\u0103, \u00een scene de o frumuse\u021be trist\u0103, precum cea a nebuniei sale simulate din deschiderea spectacolului. \u0218terg\u00e2nd rujul incandescent al mamei sale (Ramona Dr\u0103gulescu) de pe buze, actorul se arunc\u0103 \u00eentr-un joc performativ, fractur\u00e2ndu-\u0219i cu luciditate identitatea. Indubitabil, Hamlet este un captiv. O f\u0103ptur\u0103 prins\u0103 \u00eentre a-\u0219i face datoria de fiu \u0219i a se consuma \u00een durerea pe care ceilal\u021bi nu o p\u0103trund. Spectacolul, de altfel, se deschide cu actorii ce privesc \u00een ochi publicul situat pe gradenele plasate direct pe o scen\u0103 care acum se \u00eenchide. Lumea portretizat\u0103 se str\u00e2nge, ea st\u0103 pe marginea periculoas\u0103 a dezintegr\u0103rii \u0219i anul\u0103rii. Nick Ormerod imagineaz\u0103 un spa\u021biu care are, mai degrab\u0103, valen\u021be psihologice \u0219i care descrie metaforic \u00eentregul. \u00cen golul scenei, nu exist\u0103 unghiuri moarte \u0219i nici unghere \u00een care s\u0103 te ad\u0103poste\u0219ti sau s\u0103 respiri. De aici, \u0219i imperativul sumbru: nu \u00eentoarce fa\u021ba lumii!<\/p>\n

\u00centr-o alt\u0103 scen\u0103 violent\u0103 \u0219i de \u00eenc\u0103rc\u0103tur\u0103 oedipian\u0103, cea a acuz\u0103rii aprinse \u0219i f\u0103\u021bise a lui Gertrude, \u00een a\u0219a-zisul dormitor al celei din urm\u0103, Vlad Udrescu \u0219i Ramona Dr\u0103gulescu se joac\u0103 cu abilitate cu nuan\u021bele. Regina Danemarcei se las\u0103 manipulat\u0103 fizic, constr\u00e2ns\u0103 emo\u021bional, atins\u0103 dureros de nevroza fiului ei, pentru ca mai t\u00e2rziu s\u0103 gliseze perfect \u00eentre registre, abandon\u00e2ndu-\u0219i vulnerabilitatea pentru a se ar\u0103ta plin\u0103 de fermitate \u0219i cinism \u00een scenele cu Claudius (Claudiu Mihail), Ofelia (Theodora B\u0103lan) sau Laertes (Alex Stoicescu), a c\u0103ror performan\u021b\u0103 actoriceasc\u0103 tinde mai mult c\u0103tre o zon\u0103 de excesivitate sau impulsivitate necontrolat\u0103.\u00a0<\/p>\n

Raluca P\u0103un, o actri\u021b\u0103 de-o expresivitate special\u0103, joac\u0103 \u00een travesti un Polonius intrigant, guraliv, plin de replici \u0219i reac\u021bii care dau un plus de culoare. De neuitat sunt \u0219i personajele pe care le interpreteaz\u0103 binomul Angel Rababoc \u0219i Costinela Ungureanu, at\u00e2t \u00een reprezentarea actorilor veni\u021bi s\u0103 \u0219tearg\u0103 din triste\u021bea prin\u021bului lor, c\u00e2t \u0219i \u00een rolul groparilor. \u00centr-o prim\u0103 apari\u021bie, sugereaz\u0103 cu umor \u0219i str\u0103lucire imaginea de staruri glamour<\/em>, dar \u0219i arogan\u021ba sau superficialitatea celor care trebuie s\u0103 se vad\u0103 cu orice pre\u021b. Mai t\u00e2rziu, aduc un strop din filozofia omului expert \u00eentr-ale vie\u021bii, dar \u0219i ceva din ridicolul acestei pozi\u021bion\u0103ri.<\/p>\n

Hamletul<\/em> craiovean r\u0103m\u00e2ne o alunecare \u00een orizontul de con\u0219tiin\u021b\u0103 al crimei, dar \u0219i o glisare c\u0103tre zonele de jos ale existen\u021bei, pe care noi to\u021bi le-am locuit, fie numai \u00een scurte \u0219i izolate momente. Montarea lui Declan Donnellan ofer\u0103 o imagine total\u0103 a singur\u0103t\u0103\u021bii, o c\u0103utare existen\u021bial\u0103, dar \u0219i o chestionare atent\u0103 a poten\u021bialului teatral al uneia dintre cele mai performante trupe de actori a teatrului rom\u00e2nesc, \u00een acest moment, precum \u0219i un exemplu de construc\u021bie spectacular\u0103 ancorat\u0103 \u00een elegan\u021b\u0103, emo\u021bie, profunzime.<\/p>\n

Cronic\u0103 realizat\u0103 de\u00a0<\/p>\n

MARINA DR\u0102GAN <\/strong>(Master Studii de Teatru \u0219i Performance, Anul I)<\/p>\n

https:\/\/www.shakespearefestival.online\/eveniment\/hamlet-regia-declan-donnellan-teatrul-national-craiova<\/a><\/p>\n

HAMLET<\/em><\/strong> \u2013 REGIA DECLAN DONNELLAN \u2013 TEATRUL NA\u021aIONAL CRAIOVA<\/p>\n

De William Shakespeare<\/p>\n

Regizor: Declan Donnellan<\/strong><\/p>\n

Traduc\u0103tor: George Volceanov<\/p>\n

Adaptare text: Declan Donnellan<\/p>\n

Nume companie: Teatrul Na\u021bional \u201eMarin Sorescu\u201d din Craiova<\/p>\n

\u021aar\u0103 companie: Rom\u00e2nia<\/p>\n

Distribu\u021bie:\u00a0<\/strong><\/p>\n

Vlad Udrescu \u2013 Hamlet<\/p>\n

Claudiu Mihail \u2013 Claudius<\/p>\n

Ramona Dr\u0103gulescu \u2013 Gertrude<\/p>\n

Raluca P\u0103un \u2013 Polonius<\/p>\n

Flavia Hojda \/ Theodora B\u0103lan \u2013 Ofelia<\/p>\n

Alex Stoicescu \u2013 Laertes<\/p>\n

Eugen Titu \u2013 Fantoma<\/p>\n

C\u0103t\u0103lin Vieru \u2013 Rosencrantz<\/p>\n

Darko Huruial\u0103 \u2013 Guildenstern<\/p>\n

Marian Politic \u2013 Gropar 1\/Al treilea actor din pies\u0103<\/p>\n

Angel Rababoc \u2013 Regele din pies\u0103\/Preotul<\/p>\n

Costinela Ungureanu \u2013 Regina din pies\u0103\/Gropar 2<\/p>\n

Mircea Mogo\u0219eanu \u2013 Str\u0103jer 1<\/p>\n

Mihnea Presur\u0103 \u2013 Str\u0103jer 2<\/p>\n

Echipa de crea\u021bie<\/strong>:<\/p>\n

Set design: Nick Ormerod<\/p>\n

Assistant director: Lauren\u021biu Tudor<\/p>\n

Set design assistant: Adelina Galiceanu<\/p>\n

Music: Tibor C\u00e1ri<\/p>\n

Fight choreography \u2013 fencing: Antonie Mihail<\/p>\n

Sound design: George Udrea, Dan Fene\u0219an<\/p>\n

Light design: Dodu Ispas, Marian Tudorache, Alina Mitrache<\/p>\n

Technical directors: Cristian Norel Petec \/ Sorin Gruia<\/p>\n

Prompter: Adrian \u021a\u00eerc\u0103<\/p>\n

Producer: Claudia Gorun<\/p>\n

Poster design: Denisa Nea\u021bu<\/p>\n<\/div>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

Despre ce articuleaz\u0103 Hamlet? Care sunt ideile dezvoltate de Shakespeare \u00een laboratorul s\u0103u de lucru umanist? \u00cen ce puncte atinge…<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":167,"featured_media":13443,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[265],"tags":[],"erasmus_universities_programs":[],"class_list":["post-13442","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fringe-unatc"],"acf":{"alternative_page_title":"","page_contact_email":""},"yoast_head":"\nHamlet \u2013 domnia singur\u0103t\u0103\u021bii care fragilizeaz\u0103 - UNATC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/unatc.ro\/devunatc\/hamlet-domnia-singuratatii-care-fragilizeaza\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hamlet \u2013 domnia singur\u0103t\u0103\u021bii care fragilizeaz\u0103 - UNATC\" \/>\n<meta property=\"og:description\" content=\"Despre ce articuleaz\u0103 Hamlet? 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