{"id":12806,"date":"2024-02-23T13:50:38","date_gmt":"2024-02-23T11:50:38","guid":{"rendered":"https:\/\/unatc.ro\/devunatc\/?p=12806"},"modified":"2024-02-23T13:50:52","modified_gmt":"2024-02-23T11:50:52","slug":"semne-si-semnale-teatrale-in-anii-70-80","status":"publish","type":"post","link":"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/","title":{"rendered":"Semne \u0219i semnale teatrale \u00een anii 70-80","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n

<\/p>\n\n\n\n

TabThePAST. Taboo History. Fill the Past to Sense the Present<\/strong>
UNATC \u201eI.L. Caragiale\u201d Bucure\u0219ti, Str. Tudor Arghezi 3-b
29 februarie 2024, ora 18:00<\/strong><\/p>\n\n\n\n

RSVP: cercetare@unatc.ro<\/a>
tabthepast.ro<\/a><\/p>\n\n\n\n

Universitatea Na\u021bional\u0103 de Art\u0103 Teatral\u0103 \u0219i Cinematografic\u0103 \u201eI.L. Caragiale\u201d Bucure\u0219ti, prin Departamentul de Cercetare, Dezvoltare, Inovare, are pl\u0103cerea de a v\u0103 invita joi, 29 februarie 2024, de la ora 18:00, la sediul UNATC din Str. Tudor Arghezi, nr. 3-b<\/strong>, unde va avea loc cel de-al cincilea eveniment public din cadrul proiectului TabThePAST. Taboo History. Fill the Past to Sense the Present<\/em><\/strong><\/a> (<\/strong>Istoria Tabu. Umple golurile din trecut pentru a percepe prezentul<\/em><\/strong>)<\/strong>, cu tema Semne \u0219i semnale teatrale \u00een anii 70-80<\/em><\/strong>.<\/em><\/strong><\/p>\n\n\n\n

Evenimentul este centrat \u00een jurul a patru prelegeri<\/strong> sus\u021binute de cercet\u0103toare care analizeaz\u0103 diferite mecanisme ale cenzurii, \u00een contextul arhivelor \u0219i al dianmicii dintre via\u021ba public\u0103 \u0219i cea privat\u0103.<\/p>\n\n\n\n

Sesiunea de comunic\u0103ri va fi completat\u0103 de prezentarea prototipului CAVE VR – TabThePAST.IMMERSED,<\/strong> ini\u021biat cu ocazia celui de-al doilea eveniment public al TabThePAST, dedicat Arhivelor UNATC. TabThePAST.IMMERSED<\/strong> urm\u0103re\u0219te s\u0103 transpun\u0103 – \u00eentr-un format experien\u021bial VR – demersul de recuperare performativ\u0103 a unor fragmente de istorie necunoscute publicului larg. Aflat \u00een prima etap\u0103 de cercetare \u00een tehnologiile inovativ-creative, prototipul experimental scenografic VR exploreaz\u0103 imersiv atmosfera conturat\u0103 de procesul de cercetare TabThePAST.Taboo History<\/em><\/strong> <\/em>al Arhivei UNATC. Echipa de realizare a prototipului VR: asistent de cercetare drd. Ciprian F\u0103c\u0103eru, asistent de cercetare drd. Marius Hodea, asistent de cercetare drd. \u0218tefan Damian, dr. Elena Belciu (Centrul Interna\u021bional de Cercetare \u0219i Educa\u021bie \u00een Tehnologii Inovativ Creative – CINETic).<\/p>\n\n\n\n

   PROGRAM<\/p>\n\n\n\n

Semne \u0219i semnale teatrale \u00een anii 70-80<\/strong><\/p>\n\n\n\n

18:00 Deschiderea Conferin\u021bei<\/strong><\/p>\n\n\n\n

Lect.univ.dr. Romina Bolda\u0219u<\/strong>, Prorector Cercetare, Dezvoltare, Inovare<\/p>\n\n\n\n

18:15 Tacticile subversive ale umorului. Ofensiva Teatrului de Revist\u0103<\/em><\/strong><\/p>\n\n\n\n

Conf.univ.dr. Mihaela Michailov  <\/strong>(15\u2019+15 Q&A)<\/p>\n\n\n\n

Prezentarea urm\u0103re\u0219te modalit\u0103\u021bi prin care, \u00een perioada anilor \u02be70 \u0219i \u02be80, Teatrul de Revist\u0103 \u0219i-a structurat propria ofensiv\u0103 discursiv\u0103 \u0219i gestual\u0103, care a stat la baza unei retorici de opozi\u021bie \u00een raport cu stilistica propagandei. Teatru popular prin excelen\u021b\u0103, spectacolul de revist\u0103 \u00ee\u0219i amplific\u0103 semnifica\u021biile \u00een rela\u021bie direct\u0103 cu actualitatea urgent\u0103. C\u0103ror urgen\u021be de reprezentare \u0219i identificare le r\u0103spundea teatrul de revist\u0103 \u0219i cum reu\u0219ea s\u0103 capteze felii de via\u021b\u0103 cotidian\u0103?<\/em><\/p>\n\n\n\n

Mihaela Michailov <\/strong>este coordonatoarea Masteratului de Scriere Dramatic\u0103 din cadrul UNATC \u201eI.L.Caragiale\u201d Bucure\u0219ti, dramaturg\u0103, analist\u0103 \u00een domeniul artelor performative, curatoare, co-fondatoare a Centrului de Teatru Educa\u021bional Replika. A scris peste 25 de piese de teatru, unele dintre ele traduse \u00een bulgar\u0103, englez\u0103, francez\u0103, german\u0103, greac\u0103, maghiar\u0103, spaniol\u0103 \u0219i portughez\u0103.<\/p>\n\n\n\n

18:45 Cenzura dejucat\u0103 prin semn \u0219i simbol<\/em><\/strong><\/p>\n\n\n\n

Lect.univ.dr. Diana P\u0103curar  <\/strong>(15\u2019+15 Q&A)<\/p>\n\n\n\n

Prezentarea propus\u0103 se axeaz\u0103 pe perioada anilor ’70-’80 \u00een teatrul rom\u00e2nesc, cu o aten\u021bie sporit\u0103 asupra a dou\u0103 evenimente petrecute la Teatrul Regina Maria, Oradea, analiz\u00e2nd influen\u021ba semioticii \u00een lupta \u00eempotriva cenzurii. Evolu\u021bia demersului semiotic a fost crucial \u00een eliberarea de constr\u00e2ngeri \u0219i \u00een supravie\u021buirea libert\u0103\u021bii de exprimare \u00een contextul teatrului rom\u00e2nesc, oferind un teren fertil pentru explorarea creativ\u0103 a subiectelor considerate tabu sau controversate.<\/em><\/p>\n\n\n\n

Diana P\u0103curar <\/strong>este absolvent\u0103 a Facult\u0103\u021bii de Teatru din UNATC. \u00cen 2022 ob\u021bine, \u00een cadrul aceleia\u0219i universit\u0103\u021bi, titlul de doctor \u00een artele spectacolului. \u00cen prezent este regizoare de teatru \u0219i lector universitar \u00een cadrul Departamentului Regie Teatru, UNATC.<\/p>\n\n\n\n

19:15 C\u0103utare, resuscitare, interpretare. Schimbarea privirii asupra realit\u0103\u021bii prin materialul de arhiv\u0103<\/em><\/strong><\/p>\n\n\n\n

Asistent de cercetare drd. Ioana Grigore  <\/strong>(15\u2019+15 Q&A)<\/p>\n\n\n\n

Pe m\u0103sur\u0103 ce \u00eenaint\u0103m \u00eentr-o epoc\u0103 ce a \u00eenregistrat o cre\u0219tere semnificativ\u0103 a num\u0103rului de film\u0103ri oficiale \u0219i de familie, de fotografii \u0219i documente, folosind o gam\u0103 larg\u0103 de dispozitive digitale de scriere \u0219i de captare a imaginii \u0219i a sunetului, \u00eentreb\u0103rile despre arta evalu\u0103rii \u0219i selec\u021biei, a conserv\u0103rii \u0219i catalog\u0103rii, \u0219i a tuturor celorlalte practici tradi\u021bionale de arhivare, au devenit deosebit de importante. <\/em><\/p>\n\n\n\n

Ioana Grigore<\/strong> este regizor de film, av\u00e2nd o licen\u021b\u0103 \u00een regie de film \u0219i un masterat \u00een film documentar, ob\u021binute la UNATC \u201eI.L. Caragiale\u201d. Cu o lucrare intitulat\u0103 \u201cFic\u021bionalizarea realit\u0103\u021bii \u00een filmul documentar. O perspectiv\u0103 asupra arhivelor din perioada comunist\u0103\u201d, Ioana este \u00een prezent doctorand \u00een Cinematografie \u0219i Media, cadru didactic asociat \u0219i asistent de cercetare \u00een cadrul aceleia\u0219i universit\u0103\u021bi.<\/p>\n\n\n\n

19:45 Dinu S\u0103raru \u2013 un pion rebel al sistemului<\/em><\/strong><\/p>\n\n\n\n

Lect.univ.dr. R\u0103svana Cernat  <\/strong>(15\u2019+15 Q&A)<\/p>\n\n\n\n

Timp de aproape un deceniu \u0219i jum\u0103tate, Dinu S\u0103raru a condus Teatrul Mic, transform\u00e2ndu-l \u00eentr-unul dintre cele mai valoroase teatre din Rom\u00e2nia. Personaj \u0219i persona\u0219itate aparte, S\u0103raru s-a folosit abil de rela\u021biile \u0219i influen\u021ba sa la v\u00e2rful c\u00e2rmuirii Partidului Comunist, reu\u0219ind \u00een nenum\u0103rate r\u00e2nduri s\u0103 opreasc\u0103, sau cel pu\u021bin s\u0103 fenteze, bra\u021bul de fier al cenzurii comuniste. Pe durata mandatului s\u0103u, Teatrul Mic a devenit un bastion al exprim\u0103rii artistice \u00eendr\u0103zne\u021be, provocatoare; C\u0103t\u0103lina Buzoianu, Silviu Purc\u0103rete \u0219. a. au pus \u00een scen\u0103 spectacole care au f\u0103cut istorie. Mont\u0103rile lor au \u00eensemnat nu doar explor\u0103ri regizorale \u0219i artistice, abord\u0103ri experimentale ale textelor regizate, ci \u0219i manifest\u0103ri de curaj \u0219i rezisten\u021b\u0103 cultural\u0103 \u00eempotriva asfixiei ideologice impuse de regimul comunist.<\/em><\/p>\n\n\n\n

R\u0103svana Cernat<\/strong> a absolvit \u00een 2004 Regie de Teatru la UNATC \u201eI. L. Caragiale\u201d.De-a lungul timpului a lucrat at\u00e2t \u00een teatru c\u00e2t \u0219i \u00een oper\u0103 \u0219i televiziune. \u00cen prezent este lector universitar doctor \u00een cadrul Departamentului Regie Teatru al UNATC.<\/p>\n\n\n\n

20:15 Experien\u021b\u0103 CAVE VR prototip – TabThePAST.IMMERSED<\/strong><\/a><\/p>\n\n\n\n

Invita\u021bie \u00een CAVE – mediu virtual automat cu sistem de proiec\u0163ie stereoscopic\u0103 imersiv\u0103<\/p>\n\n\n\n

CONTEXT<\/p>\n\n\n\n

Proiectul TabThePAST. Taboo History. Fill the Past to Sense the Present<\/em><\/strong><\/a> (<\/strong>Istoria Tabu. Umple golurile din trecut pentru a percepe prezentul<\/em><\/strong>) <\/strong>este ini\u021biat de UNATC Bucure\u0219ti, al\u0103turi de Centrul de Teatru Educa\u021bional Replika, Rom\u00e2nia \u0219i Citizen.Kane.Collective, Germania (CKK), \u0219i este finan\u021bat de Uniunea European\u0103 prin European Education and Culture Executive Agency (EACEA), \u00een cadrul programului Europe for Citizens (EFC), pe o durat\u0103 de doi ani.<\/p>\n\n\n\n

Proiectul exploreaz\u0103 \u0219i cerceteaz\u0103 interdisciplinar cauzele \u0219i consecin\u021bele cenzurii comuniste<\/strong> asupra activit\u0103\u021bilor culturale \u0219i artistice din perioada 1960-1989, mai exact \u2013 asupra unor spectacole \u0219i personalit\u0103\u021bi teatrale, explor\u00e2nd urmele l\u0103sate de metodele \u0219i tacticile cenzurii comuniste \u00een c\u00e2mpul artelor performative. Pornind de la date din arhive, interviuri, analiza unor documente oficiale, jurnale, studii de specialitate, proiectul activeaz\u0103 performativ momente reprezentative din istoria mai mult sau mai pu\u021bin cunoscut\u0103 a unor perioade \u00een care s-au n\u0103scut spectacole remarcabile, au fost generate mi\u0219c\u0103ri artistice de mare anvergur\u0103, s-au consolidat colective artistice experimentale \u0219i au fost cenzurate mont\u0103ri legendare.<\/p>\n\n\n\n

Conceput pe 3 paliere interdependente: cercetare \/ educa\u021bie \/ crea\u021bie artistic\u0103<\/strong>, TabThePAST <\/em><\/strong>propune un context \u00een care cercet\u0103tori, arti\u0219ti \u0219i categorii de publicuri s\u0103 reflecteze asupra implica\u021biilor politice \u0219i culturale ale momentelor relevante din istoria teatrului (1960-1990).<\/p>\n\n\n\n

TabThePAST <\/em><\/strong>\u00ee\u0219i propune s\u0103 recupereze, s\u0103 arhiveze \u0219i s\u0103 valorizeze momente reprezentative din istoria artelor performative \u00een anii 60-90, cu accent pe o contextualizare socio-politic\u0103 a regimurilor care au generat formule spectaculare diferite, transform\u00e2nd cercetarea \u00een instrument pedagogic \u0219i cadru generator de practici novatoare.<\/p>\n\n\n\n

Obiectivul general <\/strong>al proiectului este construc\u021bia \u0219i valorizarea performativ\u0103 a unor crea\u021bii \u0219i gesturi artistice reprezentative din artele anilor \u201860-\u201990, pornind de la contextele politice care le-au generat \u0219i \u00een rela\u021bie direct\u0103 cu formele de cenzur\u0103 active \u00een perioadele respective.<\/p>\n\n\n\n

Rezultatele proiectului <\/strong>vor fi prezentate \u00een cadrul unor serii de evenimente publice bazate pe cercet\u0103rile \u00eentreprinse: dou\u0103 evenimente publice de prezentare a cercet\u0103rii asupra cenzurii \u00een teatru; un atelier pentru masteranzii, doctoranzii \u0219i formatorii UNATC; un spectacol de teatru creat de echipa artistic\u0103 a Centrului REPLIKA, Rom\u00e2nia; un spectacol de teatru creat de echipa artistic\u0103 a Citizen.Kane.Collective (CKK), Germania; Produse\/aplica\u021bii interdisciplinare (arts science technology) privind subiectul cenzur\u0103; S\u0103pt\u0103m\u00e2na Memoriei Teatrului European; cinci conferin\u021be cu exper\u021bi din fostele \u021b\u0103ri comuniste care vor \u00eemp\u0103rt\u0103\u0219i experien\u021be legate de cenzura \u00een teatru.<\/p>\n\n\n\n

\u201d\u00cen contextul crimelor comunismului \u0219i al ideologiei marxiste care a subjugat min\u021bile \u0219i a fr\u00e2nt destinele a milioane de oameni, cenzura comunist\u0103 a fost un instrument de opresiune \u0219i distrugere a valorilor. O cale de a \u00eenl\u0103tura valorile unei lumi libere, \u00eenlocuindu-le cu o minciun\u0103 sistemic\u0103, anihilatoare.\u201d<\/em> <\/p>\n\n\n\n

prof. univ. dr. Liviu Lucaci, Rector UNATC \u201eI.L. Caragiale\u201d<\/strong>

ECHIPA PROIECTULUI TabThePAST<\/strong><\/p>\n\n\n\n

Echipa de management:<\/strong><\/p>\n\n\n\n

Radu APOSTOL \u2013 Manager Proiect (UNATC) \/ Mihaela MICHAILOV \u2013 Coordonator cercetare (UNATC)
Viorel COJANU \u2013 Manager Proiect (REPLIKA) \/ Simon KUBAT \u2013 Manager Proiect (CKK)
Nicoleta PU\u0218CA\u0218U \u2013 Logistic\u0103
Corina G\u0103geanu, Alina Sorina Masgras \u2013 Management<\/p>\n\n\n\n

Echipa de cercetare UNATC:\u00a0<\/strong>
Maria DR\u0102GHICI, Catinca DR\u0102G\u0102NESCU, Liri CHAPELAN, Radu CR\u0102CIUN, R\u0103svana CERNAT, Diana T\u0102NASE, Vlad GALER, Mihai BERCARU, Ioana GRIGORE<\/p>\n\n\n\n

Echipa de cercetare experen\u021bial\u0103 CINETic UNATC:<\/strong>
Ciprian F\u0102C\u0102ERU, Marius HODEA, \u0218tefan DAMIAN, Elena BELCIU<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

TabThePAST. Taboo History. Fill the Past to Sense the PresentUNATC \u201eI.L. Caragiale\u201d Bucure\u0219ti, Str. Tudor Arghezi 3-b29 februarie 2024, ora…<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":1,"featured_media":12807,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"template-newsgeneral.php","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[180,184,176],"tags":[],"erasmus_universities_programs":[],"class_list":["post-12806","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anunturi","category-presa","category-stiri"],"acf":{"alternative_page_title":"","page_contact_email":""},"yoast_head":"\nSemne \u0219i semnale teatrale \u00een anii 70-80 - UNATC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Semne \u0219i semnale teatrale \u00een anii 70-80 - UNATC\" \/>\n<meta property=\"og:description\" content=\"TabThePAST. Taboo History. Fill the Past to Sense the PresentUNATC \u201eI.L. Caragiale\u201d Bucure\u0219ti, Str. Tudor Arghezi 3-b29 februarie 2024, ora...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/\" \/>\n<meta property=\"og:site_name\" content=\"UNATC\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/UNATC.ILC\/\" \/>\n<meta property=\"article:published_time\" content=\"2024-02-23T11:50:38+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-23T11:50:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/02\/Semne-si-semnale-teatrale-in-anii-70-80.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"UNATC\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"UNATC\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/semne-si-semnale-teatrale-in-anii-70-80\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/semne-si-semnale-teatrale-in-anii-70-80\\\/\"},\"author\":{\"name\":\"UNATC\",\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/#\\\/schema\\\/person\\\/85e7b817ed0b809757118b210739e5c8\"},\"headline\":\"Semne \u0219i semnale teatrale \u00een anii 70-80\",\"datePublished\":\"2024-02-23T11:50:38+00:00\",\"dateModified\":\"2024-02-23T11:50:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/semne-si-semnale-teatrale-in-anii-70-80\\\/\"},\"wordCount\":1523,\"publisher\":{\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/semne-si-semnale-teatrale-in-anii-70-80\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Semne-si-semnale-teatrale-in-anii-70-80.png\",\"articleSection\":[\"Anun\u021buri\",\"Pres\u0103\",\"\u0218tiri\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/semne-si-semnale-teatrale-in-anii-70-80\\\/\",\"url\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/semne-si-semnale-teatrale-in-anii-70-80\\\/\",\"name\":\"Semne \u0219i semnale teatrale \u00een anii 70-80 - UNATC\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/semne-si-semnale-teatrale-in-anii-70-80\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/semne-si-semnale-teatrale-in-anii-70-80\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Semne-si-semnale-teatrale-in-anii-70-80.png\",\"datePublished\":\"2024-02-23T11:50:38+00:00\",\"dateModified\":\"2024-02-23T11:50:52+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/semne-si-semnale-teatrale-in-anii-70-80\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/semne-si-semnale-teatrale-in-anii-70-80\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/semne-si-semnale-teatrale-in-anii-70-80\\\/#primaryimage\",\"url\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Semne-si-semnale-teatrale-in-anii-70-80.png\",\"contentUrl\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Semne-si-semnale-teatrale-in-anii-70-80.png\",\"width\":1920,\"height\":1080},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/semne-si-semnale-teatrale-in-anii-70-80\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Semne \u0219i semnale teatrale \u00een anii 70-80\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/#website\",\"url\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/\",\"name\":\"UNATC\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/#organization\",\"name\":\"UNATC\",\"url\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/wp-content\\\/uploads\\\/2025\\\/07\\\/unatc_logo.png\",\"contentUrl\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/wp-content\\\/uploads\\\/2025\\\/07\\\/unatc_logo.png\",\"width\":480,\"height\":469,\"caption\":\"UNATC\"},\"image\":{\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/UNATC.ILC\\\/\",\"https:\\\/\\\/www.youtube.com\\\/c\\\/unatcilcaragiale\",\"https:\\\/\\\/www.instagram.com\\\/unatc_ilcaragiale\\\/?hl=en\",\"https:\\\/\\\/www.tiktok.com\\\/@unatc?lang=en\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/#\\\/schema\\\/person\\\/85e7b817ed0b809757118b210739e5c8\",\"name\":\"UNATC\",\"url\":\"https:\\\/\\\/unatc.ro\\\/devunatc\\\/author\\\/unatcadmin\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Semne \u0219i semnale teatrale \u00een anii 70-80 - UNATC","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/","og_locale":"en_US","og_type":"article","og_title":"Semne \u0219i semnale teatrale \u00een anii 70-80 - UNATC","og_description":"TabThePAST. Taboo History. Fill the Past to Sense the PresentUNATC \u201eI.L. Caragiale\u201d Bucure\u0219ti, Str. Tudor Arghezi 3-b29 februarie 2024, ora...","og_url":"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/","og_site_name":"UNATC","article_publisher":"https:\/\/www.facebook.com\/UNATC.ILC\/","article_published_time":"2024-02-23T11:50:38+00:00","article_modified_time":"2024-02-23T11:50:52+00:00","og_image":[{"width":1920,"height":1080,"url":"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/02\/Semne-si-semnale-teatrale-in-anii-70-80.png","type":"image\/png"}],"author":"UNATC","twitter_card":"summary_large_image","twitter_misc":{"Written by":"UNATC","Est. reading time":"8 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/#article","isPartOf":{"@id":"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/"},"author":{"name":"UNATC","@id":"https:\/\/unatc.ro\/devunatc\/#\/schema\/person\/85e7b817ed0b809757118b210739e5c8"},"headline":"Semne \u0219i semnale teatrale \u00een anii 70-80","datePublished":"2024-02-23T11:50:38+00:00","dateModified":"2024-02-23T11:50:52+00:00","mainEntityOfPage":{"@id":"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/"},"wordCount":1523,"publisher":{"@id":"https:\/\/unatc.ro\/devunatc\/#organization"},"image":{"@id":"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/#primaryimage"},"thumbnailUrl":"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/02\/Semne-si-semnale-teatrale-in-anii-70-80.png","articleSection":["Anun\u021buri","Pres\u0103","\u0218tiri"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/","url":"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/","name":"Semne \u0219i semnale teatrale \u00een anii 70-80 - UNATC","isPartOf":{"@id":"https:\/\/unatc.ro\/devunatc\/#website"},"primaryImageOfPage":{"@id":"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/#primaryimage"},"image":{"@id":"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/#primaryimage"},"thumbnailUrl":"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/02\/Semne-si-semnale-teatrale-in-anii-70-80.png","datePublished":"2024-02-23T11:50:38+00:00","dateModified":"2024-02-23T11:50:52+00:00","breadcrumb":{"@id":"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/#primaryimage","url":"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/02\/Semne-si-semnale-teatrale-in-anii-70-80.png","contentUrl":"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/02\/Semne-si-semnale-teatrale-in-anii-70-80.png","width":1920,"height":1080},{"@type":"BreadcrumbList","@id":"https:\/\/unatc.ro\/devunatc\/semne-si-semnale-teatrale-in-anii-70-80\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/unatc.ro\/devunatc\/"},{"@type":"ListItem","position":2,"name":"Semne \u0219i semnale teatrale \u00een anii 70-80"}]},{"@type":"WebSite","@id":"https:\/\/unatc.ro\/devunatc\/#website","url":"https:\/\/unatc.ro\/devunatc\/","name":"UNATC","description":"","publisher":{"@id":"https:\/\/unatc.ro\/devunatc\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/unatc.ro\/devunatc\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/unatc.ro\/devunatc\/#organization","name":"UNATC","url":"https:\/\/unatc.ro\/devunatc\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/unatc.ro\/devunatc\/#\/schema\/logo\/image\/","url":"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2025\/07\/unatc_logo.png","contentUrl":"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2025\/07\/unatc_logo.png","width":480,"height":469,"caption":"UNATC"},"image":{"@id":"https:\/\/unatc.ro\/devunatc\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/UNATC.ILC\/","https:\/\/www.youtube.com\/c\/unatcilcaragiale","https:\/\/www.instagram.com\/unatc_ilcaragiale\/?hl=en","https:\/\/www.tiktok.com\/@unatc?lang=en"]},{"@type":"Person","@id":"https:\/\/unatc.ro\/devunatc\/#\/schema\/person\/85e7b817ed0b809757118b210739e5c8","name":"UNATC","url":"https:\/\/unatc.ro\/devunatc\/author\/unatcadmin\/"}]}},"jetpack_featured_media_url":"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/02\/Semne-si-semnale-teatrale-in-anii-70-80.png","jetpack_sharing_enabled":true,"gt_translate_keys":[{"key":"link","format":"url"}],"category_names":["Anun\u021buri","Pres\u0103","\u0218tiri"],"category_details":[{"id":180,"name":"Anun\u021buri","slug":"anunturi","description":"","count":240,"link":"https:\/\/unatc.ro\/devunatc\/category\/anunturi\/"},{"id":184,"name":"Pres\u0103","slug":"presa","description":"","count":58,"link":"https:\/\/unatc.ro\/devunatc\/category\/anunturi\/presa\/"},{"id":176,"name":"\u0218tiri","slug":"stiri","description":"","count":85,"link":"https:\/\/unatc.ro\/devunatc\/category\/anunturi\/stiri\/"}],"_links":{"self":[{"href":"https:\/\/unatc.ro\/devunatc\/wp-json\/wp\/v2\/posts\/12806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unatc.ro\/devunatc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/unatc.ro\/devunatc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/unatc.ro\/devunatc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unatc.ro\/devunatc\/wp-json\/wp\/v2\/comments?post=12806"}],"version-history":[{"count":1,"href":"https:\/\/unatc.ro\/devunatc\/wp-json\/wp\/v2\/posts\/12806\/revisions"}],"predecessor-version":[{"id":12808,"href":"https:\/\/unatc.ro\/devunatc\/wp-json\/wp\/v2\/posts\/12806\/revisions\/12808"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unatc.ro\/devunatc\/wp-json\/wp\/v2\/media\/12807"}],"wp:attachment":[{"href":"https:\/\/unatc.ro\/devunatc\/wp-json\/wp\/v2\/media?parent=12806"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/unatc.ro\/devunatc\/wp-json\/wp\/v2\/categories?post=12806"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/unatc.ro\/devunatc\/wp-json\/wp\/v2\/tags?post=12806"},{"taxonomy":"erasmus_universities_programs","embeddable":true,"href":"https:\/\/unatc.ro\/devunatc\/wp-json\/wp\/v2\/erasmus_universities_programs?post=12806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}