{"id":12296,"date":"2023-12-07T12:11:12","date_gmt":"2023-12-07T10:11:12","guid":{"rendered":"https:\/\/unatc.ro\/devunatc\/?p=12296"},"modified":"2023-12-07T12:32:23","modified_gmt":"2023-12-07T10:32:23","slug":"tabthepast-taboo-history-fill-the-past-to-sense-the-present-2","status":"publish","type":"post","link":"https:\/\/unatc.ro\/devunatc\/tabthepast-taboo-history-fill-the-past-to-sense-the-present-2\/","title":{"rendered":"TabThePAST. Taboo History. Fill the Past to Sense the Present","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n

<\/p>\n\n\n\n

Intimitate \u0219i Arhive<\/strong>
12 decembrie 2023, ora 18:00<\/p>\n\n\n\n

<\/p>\n\n\n\n

RSVP: cercetare@unatc.ro<\/a><\/p>\n\n\n\n

Universitatea Na\u021bional\u0103 de Art\u0103 Teatral\u0103 \u0219i Cinematografic\u0103 \u201eI.L. Caragiale\u201d Bucure\u0219ti, prin Departamentul de Cercetare, Dezvoltare, Inovare, are pl\u0103cerea de a v\u0103 invita mar\u021bi, 12 decembrie 2023, de la ora 18:00, la sediul UNATC din Str. Tudor Arghezi, nr. 3-b<\/strong>, unde va avea loc cel de-al patrulea eveniment public din cadrul proiectului TabThePAST. Taboo History. Fill the Past to Sense the Present<\/em><\/strong><\/a> (<\/strong>Istoria Tabu. Umple golurile din trecut pentru a percepe prezentul<\/em><\/strong>)<\/strong>, cu tema Intimitate \u0219i Arhive.<\/em><\/strong><\/p>\n\n\n\n

Evenimentul este centrat \u00een jurul a patru prelegeri<\/strong> sus\u021binute de cercet\u0103tori \u0219i cercet\u0103toare care analizeaz\u0103 diferite mecanisme ale cenzurii, \u00een contextul arhivelor \u0219i al dianmicii dintre via\u021ba public\u0103 \u0219i cea privat\u0103.<\/p>\n\n\n\n

Sesiunea de comunic\u0103ri va fi completat\u0103 de prezentarea prototipului CAVE VR – TabThePAST.IMMERSED,<\/strong> ini\u021biat cu ocazia celui de-al doilea eveniment public al TabThePAST, dedicat Arhivelor UNATC. TabThePAST.IMMERSED<\/strong> urm\u0103re\u0219te s\u0103 transpun\u0103 – \u00eentr-un format experien\u021bial VR – demersul de recuperare performativ\u0103 a unor fragmente de istorie necunoscute publicului larg. Aflat \u00een prima etap\u0103 de cercetare \u00een tehnologiile inovativ-creative, prototipul experimental scenografic VR exploreaz\u0103 imersiv atmosfera conturat\u0103 de procesul de cercetare TabThePAST.Taboo History<\/em><\/strong> <\/em>al Arhivei UNATC. Echipa de realizare a prototipului VR: asistent de cercetare drd. Ciprian F\u0103c\u0103eru, asistent de cercetare drd. Marius Hodea, asistent de cercetare drd. \u0218tefan Damian, dr. Elena Belciu (Centrul Interna\u021bional de Cercetare \u0219i Educa\u021bie \u00een Tehnologii Inovativ Creative – CINETic).<\/p>\n\n\n\n

<\/p>\n\n\n\n

SPEAKERS<\/h2>\n\n\n\n

Maria Dr\u0103ghici <\/strong>\u0219i Radu Cr\u0103ciun <\/strong><\/p>\n\n\n\n

Maria Dr\u0103ghici<\/strong> este artist vizual, activist cultural (coordonator de programe educa\u021bionale), \u00een prezent cercet\u0103tor CSIII \u00een cadrul Departamentului de Cercetare, Dezvoltare, Inovare al UNATC. Din 2012, lucreaz\u0103 colaborativ \u00een interiorul mai multor echipe transdisciplinare de investiga\u021bie asupra realului socio-politic \u0219i de interes public \u00een sensul conceptului extins de \u0219coal\u0103.<\/em> <\/p>\n\n\n\n

Radu Cr\u0103ciun<\/strong> este absolvent al Facult\u0103\u021bii de Teatru din UNATC. \u00cen 2019 ob\u021bine, \u00een cadrul aceleia\u0219i universit\u0103\u021bi, titlul de doctor \u00een artele spectacolului. \u00cen prezent este regizor, actor \u0219i cercet\u0103tor \u00een cadrul Departamentului Cercetare, Dezvoltare, Inovare al UNATC \u201eI.L. Caragiale\u201d Bucure\u0219ti. <\/p>\n\n\n\n

Titlul comunic\u0103rii<\/strong>: \u201cAcest jurnal pe care am omis s\u0103-l \u021bin\u201d. <\/em>Reconstituirea unei opera\u021biuni de filaj.<\/p>\n\n\n\n

\u00cen spa\u021biul de supraveghere <\/em>al dosarelor de urm\u0103rire CNSAS, vizibilitatea faciliteaz\u0103 ierarhizarea, controlul \u0219i normalizarea – cercetarea fiind supus\u0103 curatorierii politice de condamnare a comunismului. \u00cen spa\u021biul de materializare<\/em> al fotografiei de filaj, citit\u0103 ca vector de orientare ready-made<\/em>, receptarea<\/p>\n\n\n\n

subiectului se produce orizontal, gener\u00e2nd poten\u021bial pentru o nou\u0103 narativ\u0103 istoric\u0103 prin acumularea bi\u021bilor de informa\u021bie al unei co-crea\u021bii identitare (ce are \u00een centrul s\u0103u dou\u0103 personaje: cel urm\u0103rit<\/p>\n\n\n\n

\u0219i filatorul). Cele dou\u0103 forme spa\u021biale de receptare aduc \u00een prim-planul cercet\u0103rii dou\u0103 modalit\u0103\u021bi de “scriere” a cine suntem<\/em>, fiecare depinz\u00e2nd de cum \u0219i de unde suntem privi\u021bi.<\/p>\n\n\n\n

Vlad Galer<\/strong><\/p>\n\n\n\n

Vlad Galer<\/strong> este actor, doctorand \u0219i asistent de cercetare. Este interesat de procesul de formare al studentului-actor, \u00een special de mijloacele prin care efectele blocajelor creativit\u0103\u021bii pot fi minimizate \u00een munca studentului-actor cu sine \u00eensu\u0219i. Consider\u0103 faptul c\u0103 a fi pedagog teatral reprezint\u0103 o sarcin\u0103 profesional\u0103 \u0219i personal\u0103 full-time. Este ambi\u021bionat de dorin\u021ba de \u00een\u021belegere a omului \u00een ac\u021biune \u0219i a firii umane. <\/p>\n\n\n\n

Titlul comunic\u0103rii: Se cere comb\u0103tut\u0103 ideea burghez\u0103 a \u201etalentelor \u00een sine\u201d<\/em> \u2013 un dosar X\/1955<\/p>\n\n\n\n

Se pleac\u0103 de la un dosar bizar, lacunar \u0219i cu nuan\u021be poetice din 1955, din cadrul Sec\u021biei de Propagand\u0103 \u0219i Agita\u021bie<\/em>, care vizeaz\u0103 exmatricularea a 14 sau 15 (?) studen\u021bi ai I.A.T.C.-ului. Se \u00eencearc\u0103 \u00een\u021belegerea contextului vremii, firele ro\u0219ii ale evenimentelor \u0219i mecanismele psihologice ale personajelor \u0219i meta-personajelor acestei \u00eent\u00e2mpl\u0103ri. Se caut\u0103 \u0219i se g\u0103se\u0219te \u00een arhivele U.N.A.T.C. un singur dosar ce poart\u0103 numele unuia dintre tinerii du\u0219mani ai patriei viza\u021bi de dosarul princeps. \u00cen rest, nicio men\u021biune despre eveniment sau exmatricula\u021bi. Exist\u0103 X necunoscute \u0219i X+1 \u00eentreb\u0103ri. Cercetarea este \u00een curs, iar urm\u0103toarea etap\u0103 const\u0103 \u00eentr-o lectur\u0103 performativ\u0103 a dramatiz\u0103rii documentelor X. <\/p>\n\n\n\n

Liri Chapelan <\/strong><\/p>\n\n\n\n

Liri Chapelan<\/strong> a absolvit sec\u021biile regie de film \u0219i filmologie la UNATC. \u00cen prezent, preg\u0103te\u0219te o tez\u0103 de doctorat pe subiectul refunc\u021bionaliz\u0103rilor contemporane ale tehnologiilor \u0219i formelor cinematografice obsolete. Este interesat\u0103 printre altele de produc\u021bia \u0219i consumul de obiecte audiovizuale ca fenomene sociopolitice, de subreprezentarea anima\u021biei \u00een studiile de film \u0219i de eforturile de prezervare \u0219i restaurare ale patrimoniului cinematografic, mai ales \u00een \u021b\u0103rile nonoccidentale. \u00ce\u0219i propune s\u0103 investigheze aceste teme \u00eembin\u00e2nd activit\u0103\u021bi de predare, scriere academic\u0103, curatoriere, montaj \u0219i lucru \u00een arhive. <\/p>\n\n\n\n

Titlul comunic\u0103rii: Discursul despre arta de amatori la \u201e\u00eenceputul sf\u00e2r\u0219itului\u201d regimului comunist rom\u00e2n <\/em><\/p>\n\n\n\n

Arta de amatori a jucat de la bun \u00eenceput un rol central \u00een politicile culturale socialiste, \u00een acord cu accentul pus asupra educa\u021biei \u0219i facilit\u0103rii expresiei maselor. Precum arta profesional\u0103, arta de amatori a cunoscut diverse ipostaze \u0219i niveluri de control \u0219i sistematizare, lucru care \u00eengreuneaz\u0103 tratarea ei \u00een ansamblu. A\u0219adar, \u00een aceast\u0103 prezentare ne vom concentra asupra discursului din presa scris\u0103 despre arta de amatori \u00een anii ’80, dup\u0103 noul av\u00e2nt dat tematicii de crearea mega-concursului “C\u00e2ntarea Rom\u00e2niei”. Vom circumscrie astfel \u00een timp principalele problematici pe care le ridic\u0103 democratizarea controlat\u0103 a practicii artistice \u00een sistemul socialist rom\u00e2nesc t\u00e2rziu \u0219i vom discuta posibile direc\u021bii de cercetare pe care aceste problematici le invit\u0103 ast\u0103zi.<\/p>\n\n\n\n

Ciprian F\u0103c\u0103eru<\/strong><\/p>\n\n\n\n

Ciprian F\u0103c\u0103eru <\/strong>este arhitect al spa\u021biilor virtuale \u0219i mixte, designer de experien\u021be imersive \u0219i interactive, explorator creativ \u0219i cercet\u0103tor al noilor tehnologii media. Este asistent de cercetare \u00een cadrul Departamentului de Cercetare, Dezvoltare \u0219i Inovare al UNATC \u0219i co-fondator al studioului Augmented Space Agency. \u00cen explorarea noilor tehnologii \u0219i forme de limbaj media aflate la intersec\u021bia dintre realitate \u0219i virtualitate, Ciprian contribuie la dezvoltarea solu\u021biilor XR (extended reality) cu aplicabilitate \u00een cercetare academic\u0103, educa\u021bie, proiecte culturale \u0219i artistice.<\/p>\n\n\n\n

Titlul comunic\u0103rii: Metodologii Emergente – arhivare, interpretare, comunicare \u00een spa\u021biul virtual<\/em><\/p>\n\n\n\n

\u00centr-un spa\u021biu informatic aflat \u00eentr-o expansiune accelerat\u0103 de evolu\u021bia tehnologic\u0103 a c\u0103rei dimensiuni multifa\u021betate prezint\u0103 multiple riscuri \u0219i oportunit\u0103\u021bi, explor\u0103m noi poten\u021biale direc\u021bii ce pot avea un impact pozitiv asupra rela\u021bie dintre public \u0219i patrimoniu istoric arhivat. Pun\u00e2nd accent pe noi forme de imersiune \u0219i interac\u021biune digitale, cercetarea exploratorie propus\u0103 evalueaz\u0103 teritoriul aflat la intersec\u021bia dintre art\u0103 \u0219i tehnologie. Evalu\u00e2nd modul \u00een care acest context interdisciplinar poate genera noi metodologii relevante \u00een procesul de recuperare, arhivare \u0219i conservare, vom sublinia noi forme de diseminare ale patrimoniul istoric prin intermediul noilor dimensiuni experien\u021biale ale spa\u021biului virtual.<\/p>\n\n\n\n

<\/div>

PROGRAM<\/p>

Intimitate \u0219i Arhive<\/strong><\/div><\/blockquote><\/div>

TabThePAST. Taboo History. Fill the Past to Sense the Present<\/strong><\/p>

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<\/p>\n\n\n\n

UNATC \u201eI.L. Caragiale\u201d Bucure\u0219ti, Str. Tudor Arghezi 3-b<\/p>\n\n\n\n

12 decembrie 2023, ora 18:00<\/strong><\/p>\n\n\n\n

18:00 Cuv\u00e2ntul Rectorului <\/p>\n\n\n\n

Prof.univ.dr. Liviu Lucaci<\/strong>, Rector al UNATC \u201eI.L. Caragiale\u201d Bucure\u0219ti<\/p>\n\n\n\n

18:15 \u201cAcest jurnal pe care am omis s\u0103-l \u021bin\u201d. <\/em>Reconstituirea unei opera\u021biuni de filaj.<\/p>\n\n\n\n

Maria Dr\u0103ghici <\/strong>\u0219i Radu Cr\u0103ciun <\/strong>(15\u2019+15 Q&A)<\/p>\n\n\n\n

18:45 Se cere comb\u0103tut\u0103 ideea burghez\u0103 a \u201etalentelor \u00een sine\u201d<\/em> \u2013 un dosar X\/1955<\/p>\n\n\n\n

Vlad Galer <\/strong>(15\u2019+15 Q&A)<\/p>\n\n\n\n

19:15 Discursul despre arta de amatori la \u201e\u00eenceputul sf\u00e2r\u0219itului\u201d regimului comunist rom\u00e2n <\/em><\/p>\n\n\n\n

Liri Chapelan <\/strong>(15\u2019+15 Q&A)<\/p>\n\n\n\n

19:45 Metodologii Emergente – arhivare, interpretare, comunicare \u00een spa\u021biul virtual<\/em><\/p>\n\n\n\n

Ciprian F\u0103c\u0103eru <\/strong>(15\u2019+15 Q&A)<\/p>\n\n\n\n

20:15 Experien\u021b\u0103 CAVE VR prototip – TabThePAST.IMMERSED<\/strong><\/p>\n\n\n\n

Invita\u021bie \u00een CAVE – mediu virtual automat cu sistem de proiec\u0163ie stereoscopic\u0103 imersiv\u0103<\/p>\n<\/div><\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/div>

CONTEXT<\/p>

TabThePAST. Taboo History. Fill the Past to Sense the Present<\/div><\/blockquote><\/div>

<\/p>

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Proiectul TabThePAST. Taboo History. Fill the Past to Sense the Present<\/em><\/strong><\/a> (Istoria Tabu. Umple golurile din trecut pentru a percepe prezentul<\/em>) <\/strong>este ini\u021biat de UNATC Bucure\u0219ti, al\u0103turi de Centrul de Teatru Educa\u021bional Replika, Rom\u00e2nia \u0219i Citizen.Kane.Collective, Germania (CKK), \u0219i este finan\u021bat de Uniunea European\u0103 prin European Education and Culture Executive Agency (EACEA), \u00een cadrul programului Europe for Citizens (EFC), pe o durat\u0103 de doi ani.<\/p>\n\n\n\n

Proiectul exploreaz\u0103 \u0219i cerceteaz\u0103 interdisciplinar cauzele \u0219i consecin\u021bele cenzurii comuniste<\/strong> asupra activit\u0103\u021bilor culturale \u0219i artistice din perioada 1960-1989, mai exact \u2013 asupra unor spectacole \u0219i personalit\u0103\u021bi teatrale, explor\u00e2nd urmele l\u0103sate de metodele \u0219i tacticile cenzurii comuniste \u00een c\u00e2mpul artelor performative. Pornind de la date din arhive, interviuri, analiza unor documente oficiale, jurnale, studii de specialitate, proiectul activeaz\u0103 performativ momente reprezentative din istoria mai mult sau mai pu\u021bin cunoscut\u0103 a unor perioade \u00een care s-au n\u0103scut spectacole remarcabile, au fost generate mi\u0219c\u0103ri artistice de mare anvergur\u0103, s-au consolidat colective artistice experimentale \u0219i au fost cenzurate mont\u0103ri legendare.<\/p>\n\n\n\n

Conceput pe 3 paliere interdependente: cercetare \/ educa\u021bie \/ crea\u021bie artistic\u0103<\/strong>, TabThePAST <\/em><\/strong>propune un context \u00een care cercet\u0103tori, arti\u0219ti \u0219i categorii de publicuri s\u0103 reflecteze asupra implica\u021biilor politice \u0219i culturale ale momentelor relevante din istoria teatrului (1960-1990).<\/p>\n\n\n\n

TabThePAST <\/em><\/strong>\u00ee\u0219i propune s\u0103 recupereze, s\u0103 arhiveze \u0219i s\u0103 valorizeze momente reprezentative din istoria artelor performative \u00een anii 60-90, cu accent pe o contextualizare socio-politic\u0103 a regimurilor care au generat formule spectaculare diferite, transform\u00e2nd cercetarea \u00een instrument pedagogic \u0219i cadru generator de practici novatoare.<\/p>\n\n\n\n

Obiectivul general <\/strong>al proiectului este construc\u021bia \u0219i valorizarea performativ\u0103 a unor crea\u021bii \u0219i gesturi artistice reprezentative din artele anilor \u201860-\u201990, pornind de la contextele politice care le-au generat \u0219i \u00een rela\u021bie direct\u0103 cu formele de cenzur\u0103 active \u00een perioadele respective.<\/p>\n\n\n\n

Rezultatele proiectului <\/strong>vor fi prezentate \u00een cadrul unor serii de evenimente publice bazate pe cercet\u0103rile \u00eentreprinse: dou\u0103 evenimente publice de prezentare a cercet\u0103rii asupra cenzurii \u00een teatru; un atelier pentru masteranzii, doctoranzii \u0219i formatorii UNATC; un spectacol de teatru creat de echipa artistic\u0103 a Centrului REPLIKA, Rom\u00e2nia; un spectacol de teatru creat de echipa artistic\u0103 a Citizen.Kane.Collective (CKK), Germania; Produse\/aplica\u021bii interdisciplinare (arts science technology) privind subiectul cenzur\u0103; S\u0103pt\u0103m\u00e2na Memoriei Teatrului European; cinci conferin\u021be cu exper\u021bi din fostele \u021b\u0103ri comuniste care vor \u00eemp\u0103rt\u0103\u0219i experien\u021be legate de cenzura \u00een teatru.<\/p>\n\n\n\n

\u201d\u00cen contextul crimelor comunismului \u0219i al ideologiei marxiste care a subjugat min\u021bile \u0219i a fr\u00e2nt destinele a milioane de oameni, cenzura comunist\u0103 a fost un instrument de opresiune \u0219i distrugere a valorilor. O cale de a \u00eenl\u0103tura valorile unei lumi libere, \u00eenlocuindu-le cu o minciun\u0103 sistemic\u0103, anihilatoare.\u201d<\/em> <\/p>\n\n\n\n

prof. univ. dr. Liviu Lucaci, Rector UNATC \u201eI.L. Caragiale\u201d<\/strong><\/p>\n<\/div><\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

ECHIPA PROIECTULUI TabThePAST<\/strong>
Echipa de management:<\/strong><\/p>\n\n\n\n

Radu APOSTOL \u2013 Manager Proiect (UNATC)
Mihaela MICHAILOV \u2013 Coordonator cercetare (UNATC)
Viorel COJANU \u2013 Manager Proiect (REPLIKA)
Simon KUBAT \u2013 Manager Proiect (CKK)
Nicoleta PU\u0218CA\u0218U \u2013 Logistic\u0103
Corina G\u0103geanu, Alina Sorina Masgras \u2013 Management<\/p>\n\n\n\n

Echipa de cercetare UNATC: <\/strong><\/p>\n\n\n\n

Maria DR\u0102GHICI, Catinca DR\u0102G\u0102NESCU, Liri CHAPELAN, Radu CR\u0102CIUN, R\u0103svana CERNAT, Diana T\u0102NASE, Vlad GALER, Mihai BERCARU <\/p>\n\n\n\n

Echipa de cercetare experen\u021bial\u0103 CINETic UNATC:<\/strong><\/p>\n\n\n\n

Ciprian F\u0102C\u0102ERU, Marius HODEA, \u0218tefan DAMIAN, Elena BELCIU<\/p>\n\n\n\n

<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

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