{"id":11633,"date":"2023-07-13T11:19:02","date_gmt":"2023-07-13T09:19:02","guid":{"rendered":"https:\/\/unatc.ro\/devunatc\/?p=11633"},"modified":"2023-07-13T11:26:58","modified_gmt":"2023-07-13T09:26:58","slug":"proiectul-madach-200-din-cadrul-theatre-olympics-budapesta-iunie-2023","status":"publish","type":"post","link":"https:\/\/unatc.ro\/devunatc\/proiectul-madach-200-din-cadrul-theatre-olympics-budapesta-iunie-2023\/","title":{"rendered":"Proiectul Madach 200, din cadrul Theatre Olympics, Budapesta","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n

Despre participarea UNATC “I.L. Caragiale” Bucure\u0219ti, Departamentul Regie Teatru \u0219i Actorie la Proiectul Madach 200, din cadrul Theatre Olympics, Budapesta iunie 2023<\/strong><\/p>\n\n\n\n

<\/div>

conf. univ. dr. Anca Bradu<\/em>
<\/p>

Director\u00a0 Departament Regie Teatru, UNATC\u00a0<\/em><\/div><\/blockquote><\/div>

<\/p>

\n

\u00centr-o perioad\u0103 complicat\u0103 pentru teatrul rom\u00e2nesc \u0219i nu numai, la sf\u00e2r\u0219itul unui an universitar plin de provoc\u0103ri de reformulare a paradigmelor pedagogice \u0219i artistice, Departamentul de regie teatru al UNATC \u00een colaborare cu Departamentul de actorie au avut privilegiul particip\u0103rii la un eveniment interna\u021bional de cercetare \u0219i crea\u021bie de o anvergur\u0103 interna\u021bional\u0103 impresionant\u0103. Aceast\u0103 manifestare desf\u0103\u0219urat\u0103 la Budapesta \u00een perioada 8 iunie-24 iunie 2023, a angajat peste 11 universit\u0103\u021bi \u0219i \u0219coli de teatru din \u021b\u0103ri de pe 4 continente, invitate s\u0103 articuleze \u00eempreun\u0103 printr-un studiu aplicat pe epopeea dramatic\u0103 Tragedia omului<\/em> de Madach Imre, o perspectiv\u0103 de studiu teoretic \u0219i practic celebr\u00e2nd 200 de ani de la na\u0219terea marelui scriitor maghiar. Astfel, \u00eencep\u00e2nd din luna martie a anului universitar ce tocmai s-a \u00eencheiat, colectivele teatrale din \u0219colile de teatru interna\u021bionale care au acceptat aceast\u0103 invita\u021bie, au \u00eenceput lucrul la fiecare din episoadele dedicate \u00een func\u021bie de locul de desf\u0103\u0219urare \u0219i limba vorbit\u0103 \u00een fiecare episod ce se petrece \u00eentr-un loc \u0219i timp istoric anume \u00een opera originar\u0103. Conceptul acesta de interculturalitate \u0219i multilingvism este chiar fundamentul structural al poemului lui Madach, lucrarea sa ampl\u0103 fiind construit\u0103 pe modelul faustic \u00een 15 episoade care urm\u0103resc c\u0103l\u0103toria prin timp \u0219i spa\u021biu a cuplului primordial, Adam \u0219i Eva, c\u0103l\u0103uzi\u021bi de Lucifer, \u00eengerul c\u0103zut, ce le ofer\u0103 o perspectiv\u0103 ontologic\u0103 asupra umanit\u0103\u021bii \u00een splendoarea \u0219i decaden\u021ba ei. Pentru studen\u021bii no\u0219tri \u00eent\u00e2lnirea cu acest tip de provocare a fost cu totul nou\u0103 \u0219i inedit\u0103, de aceea am fost extrem de bucuroas\u0103 s\u0103 pot coordona un experiment de acest tip. A\u0219adar, trei studen\u021bi de la regie teatru \u0219i 11 actori, studen\u021bi sau absolven\u021bi ai programului de Master, anul 1, au preg\u0103tit \u00eempreun\u0103 montarea a trei episoade, Praga 1<\/em> \u0219i Praga 2,<\/em> episoade plasate \u00een contextul istoric contemporan lui Madach \u0219i un episod din Lumea Ghe\u021burilor,<\/em> plasat de autorul maghiar \u00eentr-o proiec\u021bie atemporal\u0103, o perspectiv\u0103 utopic\u0103 asupra unei lumi agonice dintr-un spa\u021biu fic\u021bional. Demersul analitic \u0219i creativ al studen\u021bilor no\u0219tri m-a surprins \u00een modul cel mai pl\u0103cut \u00eenc\u0103 de la \u00eenceputul lucrului, tocmai pentru ca lectura conceptual\u0103 \u0219i adaptarea textului au adus o perspectiv\u0103 extrem de proasp\u0103t\u0103 \u0219i expresiv\u0103 unui text \u00een versuri, scris acum aproape dou\u0103 secole. Cu aceste episoade preg\u0103tite la Bucure\u0219ti am participat apoi \u00een perioada lunii iunie la Budapesta mai \u00eent\u00e2i la prezentarea tuturor mont\u0103rilor interna\u021bionale, pe durata a trei zile, prilej cu care am putut viziona \u00een context abord\u0103ri multiple \u0219i practici de studiu \u0219i cercetare care definesc \u00een mod specific metodele \u0219colilor participante. Experien\u021ba adapt\u0103rii \u0219i particip\u0103rii la aceste vizionari a fost \u00een sine un spectacol de comunicare \u0219i cunoa\u0219tere identitar\u0103 intercultural\u0103, multilingvistic\u0103\u00a0 care se apropia de anvergura extraordinar\u0103 a proiectului ce urma s\u0103 devin\u0103 \u00een s\u0103pt\u0103m\u00e2nile urm\u0103toare un mare spectacol. Partea final\u0103 a acestei perioade, p\u00e2n\u0103 la data prezent\u0103rii \u0219i film\u0103rii spectacolului conceput \u0219i coordonat de Attila Vidnyanszky \u00een 23 iunie, a prilejuit \u00eenc\u0103 o experien\u021b\u0103 puternic\u0103 pentru studen\u021bii implica\u021bi pentru c\u0103 au fost pu\u0219i \u00een situa\u021bia de a colabora efectiv la recreerea fiec\u0103rui episod \u00een parte, fie \u00een personaje colective, fie \u00een personaje multiplicate, cum ar fi variantele mai multor Adami, Eve sau Luciferi. \u00centr-un spa\u021biu scenografic imens, \u00eentr-o hal\u0103 dedicat\u0103 \u0219i dotat\u0103 exclusiv finaliz\u0103rii acestui spectacol, au fost redimensionate \u0219i \u00eembog\u0103\u021bite vizual cu elemente de decor, costum, recuzit\u0103 supradimensionat\u0103, efecte pirotehnice \u0219i efecte sonore life sau \u00eenregistrate, toate episoadele vizionate anterior \u0219i integrate unei stilistici pregnante \u0219i unice prin bagheta marelui regizor maghiar. Men\u021bionez ca cei trei studen\u021bi regizori rom\u00e2ni au fost puternic implica\u021bi \u00een procesul de crea\u021bie al spectacolului, fiind al\u0103turi de al\u021bi doi colegi maghiari singurii studen\u021bi la regie din universit\u0103\u021bile participante. Meritul lor a fost evident \u00eenc\u0103 de la prezentarea exerci\u021biilor preg\u0103tite \u00een \u021bar\u0103, de aceea au devenit\u00a0 un fel de asisten\u021bi principali pentru spectacolul final, \u00een timp ce actorii rom\u00e2ni au fost redistribui\u021bi \u00een toate episoadele uluitoarei produc\u021bii. A\u0219adar participarea rom\u00e2neasc\u0103 a fost un pilon important p\u00e2n\u0103 la \u00eencheierea \u00eentregului proces. Tocmai de aceea i-am rugat pe studen\u021bii\u00a0 no\u0219tri regizori s\u0103 comunice c\u00e2teva g\u00e2nduri legate de aceast\u0103 experien\u021b\u0103 artistic\u0103 multicultural\u0103 at\u00e2t de intens\u0103 \u0219i de important\u0103. G\u00e2ndurile lor sunt mai elocvente dec\u00e2t tot ce a\u0219 mai putea eu s\u0103 adaug aici, de aceea \u00eenchei prin a reitera cuvintele profesorilor mei care mi-au guvernat la r\u00e2ndul meu \u00eentreaga carier\u0103: ideile mari, nasc spectacole mari. \u00cen mod evident m\u0103 refer aici la con\u021binut, nu numai la form\u0103.<\/p>\n<\/div><\/div><\/div>\n\n\n\n

<\/div>

Mara Oprea, student\u0103 master <\/strong>I<\/p>

<\/div><\/blockquote><\/div>

<\/p>

\n

Totul a inceput cu propunerea doamnei profesor Anca Bradu: trei studenti la regie, co-regizeaza trei fragmente din poemul dramatic Tragedia omului<\/em>, urm\u00e2nd ca aceste buc\u0103ti s\u0103 fac\u0103 parte dintr-un spectacol multicultural, sub indrumarea regizorului si directorului Teatrului National din Budapesta, Attila Vidny\u00e1nszky. De\u0219i p\u0103rea destul de clar ce urma s\u0103 se \u00eent\u00e2mple, \u00eentreaga experien\u021b\u0103 ne-a surprins prin magnitudinea ei: spa\u021biile erau foarte mari (foste spatii industriale), cantitatea de material (\u0219apte ore jum\u0103tate de material teatral), diversitatea limbajului stilistic si de limb\u0103 \u0219i, nu \u00een ultimul r\u00e2nd, diversitatea cultural\u0103 la care am fost expu\u0219i.<\/p>\n\n\n\n

Primele zile, buc\u0103tile lucrate individual de fiecare \u021bara au fost prezentate la Eiffel Art Studio – o fost\u0103 fabric\u0103 de trenuri, transformat\u0103 in spatiu teatral. Urm\u0103toarele repeti\u021bii urmau s\u0103 aib\u0103 loc intr-un alt spa\u021biu industrial, reimaginat ca un spatiu teatral – o fost\u0103 fabric\u0103 de ambarcatiuni. O hal\u0103 gigantic\u0103, in care se aflau linii de containere – care serveau drept b\u0103i, dusuri si cabine ale actorilor – gradene pentru public, un podium si mult p\u0103m\u00e2nt. <\/p>\n\n\n\n

Spa\u021biul conceput de Attila Vidny\u00e1nszky ne-a obligat s\u0103 nu ram\u00e2nem la solu\u021biile regizorale ini\u021biale \u0219i s\u0103 modific\u0103m nu doar traseele actorilor, ci s\u0103 refacem aceste scene tin\u00e2nd cont de caracteristicile halei in care ne aflam. Un exemplu ar fi schela, din cele doua episoade Praga, pe care o foloseam pentru a delimita spatiul lui Kepler, a fost inlocuit\u0103 de o platform\u0103, care exista in spatiu si se afla la 15-20 de metri \u00een\u0103l\u021bime. <\/p>\n\n\n\n

\u00centreaga experient\u0103 mi-a demonstrat \u00eenc\u0103 o dat\u0103 c\u0103 teatrul func\u021bioneaz\u0103 cel mai bine c\u00e2nd  se lucreaz\u0103 in echip\u0103 \u0219i fiecare individ simte c\u0103 este necesar. \u00centregul proiect ne-a oferit un context in care s\u0103 ne reprezent\u0103m \u021bara si s\u0103 cunoastem alte culturi si limbaje teatrale. <\/p>\n<\/div><\/div><\/div>\n\n\n\n

<\/div>

George Zamfir, student master <\/strong>I<\/p>

<\/div><\/blockquote><\/div>

<\/p>

\n

Theatre Olympics pentru mine s-a sim\u021bit ca o \u201eonce in a lifetime experience\u201d. Festivalul a facilitat \u00eent\u00e2lnirea a 11 \u021b\u0103ri de pe 4 continente diferite realiz\u00e2ndu-se astfel un schimb cultural de care nu \u0219tiu c\u00e2t de cur\u00e2nd voi mai avea parte. \u00cen primele zile am repetat la maxim pentru prezentarea care avea loc pe 12 iunie, sim\u021beam c\u0103 avem o misiune important\u0103, trebuie s\u0103 ne reprezent\u0103m \u021bara \u0219i pe noi, misiune pe care am \u00eendeplinit-o onorabil. Pentru mine toat\u0103 aceast\u0103 experien\u021b\u0103 a fost despre colaborare. Colaborarea \u00eencep\u00e2nd cu noi, regizorii, \u00eenc\u0103 de la Bucure\u0219ti. Am lucrat \u00eempreun\u0103 cu colegele mele de Master, Mara \u0219i Bianca \u00eentr-o co-regie care p\u0103rea aproape imposibil\u0103. Cum reu\u0219esc 3 regizori\/regizoare s\u0103 se \u00eent\u00e2lneasc\u0103 \u0219i s\u0103 poat\u0103 realiza un concept coerent \u0219i legat, f\u0103r\u0103 compromisuri (prea mari)? \u00cenc\u0103 nu am un r\u0103spuns, e un subiect asupra c\u0103ruia trebuie s\u0103 mai meditez, dar am izbutit, devenind o trinitate regizoral\u0103 (micul nostru inside joke). Colaborarea a continuat \u0219i \u00een cadrul festivalului, deoarece to\u021bi aveam o misiune comun\u0103, s\u0103 realiz\u0103m \u00een c\u00e2teva zile pornind de la buc\u0103\u021bile pe care le-am lucrat acas\u0103 \u0219i pe care le-am prezentat pe data de 12 un spectacol interna\u021bional. Am avut ocazia s\u0103 lucr\u0103m cu oameni din diverse culturi \u0219i oric\u00e2t de cli\u0219eic ar suna, ne-am unit \u00een diversitate. Attila Vidny\u00e1nszky a reu\u0219it s\u0103 ne ofere un context \u00een care s\u0103 ne putem dezvolta \u00eempreun\u0103, \u00een care s\u0103 \u00eenv\u0103\u021b\u0103m unii de la ceilal\u021bi, \u00een care s\u0103 fim \u00eentr-un dialog permanent. E o experien\u021ba pe care cred c\u0103 o voi purta mereu cu mine, care mi-a dat \u00eencredere \u00een viitor deoarece e dovada vie c\u0103 de oriunde vii, ne putem uni \u0219i mai ales c\u0103 lucrurile cele mai frumoase se realizeaz\u0103 \u00eempreun\u0103.<\/p>\n<\/div><\/div><\/div>\n\n\n\n

<\/div>

Bianca Temneanu, student\u0103 master <\/strong>I<\/p>

<\/div><\/blockquote><\/div>

<\/p>

\n

Insula Haj\u00f3gy\u00e1ri, Budapesta.<\/p>\n\n\n\n

Ruina-gigant a unei foste fabrici de b\u0103rci \u00eenchide, \u00eentr-o hal\u0103 industrial\u0103, un multivers teatral menit s\u0103 arate teribila c\u0103l\u0103torie a lui Adam prin timp \u0219i spa\u021biu, al\u0103turi de c\u0103l\u0103uza lui neobosit\u0103 \u2013 Lucifer.<\/p>\n\n\n\n

Attila Vidny\u00e1nszky, renumit pentru multiplele mont\u0103ri ale Tragediei omului<\/em>, marcheaz\u0103 cei 200 de ani de la na\u0219terea autorului Imre Mad\u00e1ch cu un spectacol-maraton, \u00eentr-un spa\u021biu neconven\u021bional, \u00een care peste 150 de actori dau via\u021b\u0103 fiec\u0103rui episod al acestei opere.<\/p>\n\n\n\n

Noi, cei trei studen\u021bi de la master I Regie, al\u0103turi de nou\u0103 studen\u021bi de la master I Actorie \u0219i dou\u0103 absolvente, am contribuit, cu universul nostru, la acest spectacol, prin montarea a trei dintre cele cincisprezece tablouri din care este compus poemul dramatic.<\/p>\n\n\n\n

Dincolo de experien\u021ba unei co-regii, a lucrului cu un text dificil, criptat, desuet \u0219i a tuturor intemperiilor (normale, de altfel) din timpul mont\u0103rii celor trei episoade devenite \u201eale noastre\u201d, consider c\u0103 cea mai important\u0103 miz\u0103 a acestui proiect a fost s\u0103 iau parte la crearea unui \u00eentreg, la armonizarea at\u00e2tor diversit\u0103\u021bi estetice, fonetice, care \u021bin de corporalitate sau cheie de joc actoricesc, de adaptare sau rescriere, de tehnic\u0103 de sunet \u0219i lumini, de coregrafie \u0219i spa\u021bialitate, de scenografie, muzic\u0103, tempo, ritm, culoare, \u0219i altele, \u0219i altele\u2026<\/p>\n\n\n\n

\u00cen numai c\u00e2teva zile, s-a ridicat un mecanism uria\u0219, func\u021bional ca o inim\u0103 nou\u0103, \u00een care am palpitat cu to\u021bii. Realizez c\u0103 \u00eenc\u0103 se mai poate, c\u0103 \u00eenc\u0103 exist\u0103 teatru, c\u0103 putem privi \u00een sus cu n\u0103dejde. C\u0103 (ne) putem striga la unison, aidoma tuturor actorilor \u00een finalul spectacolului: Don\u2019t be afraid!<\/em> <\/p>\n<\/div><\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

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10th Theatre Olympics<\/strong><\/p>\n\n\n\n

Mad\u00e1ch International Theatre Project<\/strong>
Hungary 2023<\/p>\n\n\n\n

Echipa proiectului:<\/p>\n\n\n\n

Episodul Praga I din Tragedia omului de Madach Imre<\/strong><\/p>\n\n\n\n

    \n
  • Robert Brage – Adam (Kepler)<\/li>\n\n\n\n
  • Macrina B\u00e2rl\u0103deanu – Eva (Barbara)<\/li>\n\n\n\n
  • Claudia Dinu – Lucifer<\/li>\n\n\n\n
  • Georgiana Herciu – \u00cemp\u0103ratul Rudolf <\/li>\n\n\n\n
  • Ana Baciu – Curtean 1<\/li>\n\n\n\n
  • Luca Radulescu – Curtean 2<\/li>\n\n\n\n
  • R\u0103zvan Bratu – Curtean 3<\/li>\n\n\n\n
  • Andr\u00e1s Benedek – Curtean 4<\/li>\n\n\n\n
  • Alexandru Stan – Curtean 5<\/li>\n<\/ul>\n\n\n\n

    Episodul Praga II din Tragedia omului de Madach Imre<\/strong><\/p>\n\n\n\n

      \n
    • Robert Brage – Adam (Kepler)<\/li>\n\n\n\n
    • Macrina B\u00e2rl\u0103deanu – Eva (Barbara)<\/li>\n\n\n\n
    • Claudia Dinu – Lucifer<\/li>\n\n\n\n
    • Ana Baciu – Curtean 1<\/li>\n\n\n\n
    • Luca Radulescu – Curtean 2<\/li>\n\n\n\n
    • R\u0103zvan Bratu – Curtean 3<\/li>\n\n\n\n
    • Andr\u00e1s Benedek – Curtean 4<\/li>\n\n\n\n
    • Alexandru Stan – Curtean 5<\/li>\n\n\n\n
    • Cezara Petredeanu – Discipol 1<\/li>\n\n\n\n
    • C\u0103t\u0103lina Frunz\u0103 – Discipol 2<\/li>\n<\/ul>\n\n\n\n

        Episodul \u00cen \u021binuturile de ghea\u021b\u0103 din Tragedia omului de Madach Imre<\/strong><\/p>\n\n\n\n

        \n
      • Luca Radulescu – Adam <\/li>\n\n\n\n
      • Claudia Dinu – Lucifer 1<\/li>\n\n\n\n
      • Macrina B\u00e2rl\u0103deanu – Lucifer 2<\/li>\n\n\n\n
      • Georgiana Herciu – Lucifer 3 <\/li>\n\n\n\n
      • Robert Brage – Lucifer 4<\/li>\n\n\n\n
      • R\u0103zvan Bratu – Lucifer 5<\/li>\n\n\n\n
      • Cezara Petredeanu – Lucifer 6<\/li>\n\n\n\n
      • C\u0103t\u0103lina Frunz\u0103 – Lucifer 7<\/li>\n\n\n\n
      • Stan Alexandru – Lucifer 8<\/li>\n\n\n\n
      • Andr\u00e1s Benedek – Eschimos <\/li>\n\n\n\n
      • Ana Baciu – Eva (So\u021bia eschimosului)<\/li>\n<\/ul>\n\n\n\n
          \n
        • Regie:<\/strong><\/li>\n<\/ul>\n\n\n\n
            \n
          • Mara Oprea<\/li>\n\n\n\n
          • Bianca Temneanu<\/li>\n\n\n\n
          • George Zamfir<\/li>\n<\/ul>\n\n\n\n

            Profesori coordonatori:<\/strong><\/p>\n\n\n\n

            Actorie, Master 1, coordonator prof. univ. dr. Tania Filip<\/strong>
            Regie, Master 1, coordonator<\/strong> proiect conf. Univ. dr. Anca Bradu<\/strong><\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

            Despre participarea UNATC “I.L. Caragiale” Bucure\u0219ti, Departamentul Regie Teatru \u0219i Actorie la Proiectul Madach 200, din cadrul Theatre Olympics, Budapesta…<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":1,"featured_media":11637,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"template-newsgeneral.php","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[180,184],"tags":[],"erasmus_universities_programs":[],"class_list":["post-11633","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anunturi","category-presa"],"acf":{"alternative_page_title":"","page_contact_email":""},"yoast_head":"\nProiectul Madach 200, din cadrul Theatre Olympics, Budapesta - UNATC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/unatc.ro\/devunatc\/proiectul-madach-200-din-cadrul-theatre-olympics-budapesta-iunie-2023\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Proiectul Madach 200, din cadrul Theatre Olympics, Budapesta - UNATC\" \/>\n<meta property=\"og:description\" content=\"Despre participarea UNATC “I.L. 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