{"id":7287,"date":"2022-02-28T14:40:52","date_gmt":"2022-02-28T12:40:52","guid":{"rendered":"https:\/\/unatc.ro\/devunatc\/?page_id=7287"},"modified":"2024-12-18T14:32:53","modified_gmt":"2024-12-18T12:32:53","slug":"concept","status":"publish","type":"page","link":"https:\/\/unatc.ro\/devunatc\/cercetare\/concept\/","title":{"rendered":"CONCEPT"},"content":{"rendered":"\n<p><strong><a href=\"https:\/\/concept.unatcpress.ro\">CONCEPT<\/a><\/strong> is a biannual open access academic publication, published since 2010, edited by the I.L. Caragiale Bucharest National University of Theater and Film, under the supervision of the Research-Development-Innovation Department. The publication uses the double-blind peer-review system, is classified C by the Romanian National Scientific Research Council and is indexed in several international databases: CEEOL, SCIPIO, EBSCO. Throughout the 14 years of its existence, the editorial board had as its main objective the dissemination of artistic and scientific research carried out by the teaching and research staff of the relevant universities and research centers all around the world. The magazine aimed to illustrate the activities specific to the field, in all their variety and diversity, the unity element being scientific research as a result of practical experience in the artistic field related to Theater and Performing Arts and Cinematography and Media.<\/p>\n\n\n\n<p>THE CONCEPT ACADEMIC JOURNAL IS REVIEWED AND RATED BY CNCS AND IS INDEXED IN THE CEEOL, SCIPIO AND EBSCO INTERNATIONAL DATABASES.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.ceeol.com\/search\/journal-detail?id=549\" data-type=\"link\" data-id=\"https:\/\/www.ceeol.com\/search\/journal-detail?id=549\">CEEOL<\/a><\/p>\n\n\n\n<p>YEAR 14 (XIV)<br>UNATC PRESS 2024<br>ISSN (print) 2068-4444<br>ISSN (online) 2248-3756<br>ISSN-L 2068-4444<\/p>\n\n\n\n<p>The Contents of the CONCEPT academic journal is eloquent for the targeted research area: the first chapter \u2013 <strong><em>Research<\/em><\/strong> \u2013 includes one dossier and other thematic files, followed by a chapter dedicated to the pedagogy-related research, specific to the fields of Theatre, Cinema and Media. The second chapter \u2013 <strong><em>Book Review<\/em><\/strong> \u2013 is dedicated to reviews of specialized books with relevance in the field of artistic research and pedagogy, and the third \u2013 <strong><em>Interview or Colloquia<\/em><\/strong> \u2013 is dedicated to debates with documentary value or interviews with relevant personalities of the field, emphasizing the didactic and pedagogical side of their activity.&nbsp;<\/p>\n\n\n\n<p>The dossiers titles from recent years are eloquent:<\/p>\n\n\n\n<p>Concept 1(28)\/2024:<strong><em> Theories and Practices of the Contemporary Scene in Latin America&nbsp;<\/em><\/strong><br>Concept 2(27)\/2023:<strong><em> Greek Theatre from Antiquity to Modern Times. Trends and Considerations<\/em><\/strong><br>Concept 1(26)\/2023:<strong><em> Matei Vi\u015fniec&#8217;s dramaturgy in the context of interdisciplinary artistic research<\/em><\/strong><br>Concept 2(25)\/2022:<strong><em> I Am Another You. Mediating Intimacy and Body Politics&nbsp;<\/em><\/strong><br>Concept 1(24)\/2022:<strong><em> Contemporary Theatre and Cinema: Regional Identity and Cultural Specificity&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/em><\/strong><br>Concept 2(23)\/2021:<strong><em> Hybrid Art Forms. Transgressing Borders<\/em><\/strong><br>Concept 1(22)\/2021:<strong><em> Art, Culture and Censorship&nbsp;&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p>Throughout the 14 years of its existence, the CONCEPT academic journal has constantly published articles belonging to the research area corresponding to the field of Cinematography and Media, and currently the column dedicated to Film pedagogy has joined the one dedicated to Theatre pedagogy, both specific to the fields of teaching, theoretical research and artistic experimentation of our university.<\/p>\n\n\n\n<p>The journal appears, especially in recent years, in several languages \u200b\u200bof international circulation: ENGLISH, FRENCH, SPANISH.<\/p>\n\n\n\n<p>The editorial team and the peer-review board gather specialists in the field, university professors, theorists and practitioners, national and international researchers.&nbsp;<\/p>\n\n\n\n<p>The number of foreign authors reached or even exceeded 50% on the last editorial appearances.<\/p>\n\n\n\n<p><strong>Editor-in-chief and founder: Associate Professor Mihaela Be\u0163iu, PhD<\/strong><br>Copy editor: Radu Cr\u0103ciun, PhD (2024), Ioana Miruna Voiculescu (2023-2022), Cornel Hu\u021banu (2022-2010).&nbsp;<br>Art &amp; Design Editor: Researcher Maria Dr\u0103ghici, PhD &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>GENERAL GUIDELINES FOR AUTHORS&nbsp;<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Abstract<\/strong>: 150-200 words in English;<\/li>\n\n\n\n<li><strong>Keywords<\/strong>:<strong> <\/strong>5-8 words (phrases) in English;<\/li>\n\n\n\n<li><strong>Article: <\/strong>3500 \u2013 8000 words;<\/li>\n\n\n\n<li><strong>Accepted languages:<\/strong> English, French, Spanish;<\/li>\n\n\n\n<li><strong>Citation and reference style:<\/strong> HARVARD (https:\/\/www.mendeley.com\/guides\/harvard-citation-guide);<\/li>\n\n\n\n<li><strong>Article structure:<\/strong> Introduction (objectives, hypothesis); Research Methods; Results; Conclusions; Bibliography \/\/ (References, Online References, Filmography, Performance References);&nbsp;<\/li>\n\n\n\n<li><strong>Illustrations: <\/strong>Around 3-5: photographs, drawings, diagrams, charts \u2013 with explanations included in the Word documents and separately as a .jpg file;<\/li>\n\n\n\n<li><strong>Autor(s) biography:<\/strong> maximum 200 words;<\/li>\n\n\n\n<li><strong>Email: <\/strong>mihaela.betiu@unatc.ro, radu.craciun@unatc.ro;<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Board<\/strong><br>Professor Adriana Marina Popovici, PhD<br>Professor Ludmila Patlanjoglu, PhD<br>Professor Habil. Liviu Lucaci, PhD<br>Professor Habil. Doru Ni\u0163escu, PhD<br>Professor Habil. Alexandru Sterian, PhD<br>Professor Habil. Camelia Popa, PhD<br>Professor Habil. Mihaela S\u00eerbu, PhD<br>Professor Habil. Ovidiu Georgescu, PhD<\/p>\n\n\n\n<p><strong>Editorial Board:<\/strong><strong><em> <\/em><\/strong>Professor Habil. PhD Bogdana Darie-Cre\u0163u, Professor Habil. PhD Lucian Georgescu, Associate Professor<strong> <\/strong>PhD Alexandru Berceanu, Associate Professor<strong> <\/strong>PhD Thomas Cioc\u015firescu, Research Assistant PhD Radu Cr\u0103ciun, Associate Professor<strong> <\/strong>PhD Mihaela Michailov, Associate Professor PhD Radu Apostol, PhD Marina Hanganu, Professor PhD Miroslava Salcido (CITRU, M\u00e9xico), Lecturer PhD Irina Dogaru, Lecturer PhD Vlad Ioachimescu, Research Assistant PhD Liri Alienor Chapelain, Associate Professor<strong> <\/strong>Habil.<strong> <\/strong>PhD Diana Nechit (Lucian Blaga University of Sibiu), Octavian Szalad (Theatre Studies MA), Associate Professor<strong> <\/strong>PhD Laura-L\u0103z\u0103rescu Thois, Research Assistant PhD Ciprian F\u0103c\u0103eru (CINETic, UNATC), Dr. Despina Kosmopoulou (National Kapodistrian University of Athens &amp; University of the Peloponnese, Greece), Associate Professor PhD Ioana Visalon (The Lower Danube University, Gala\u0163i), Mihaela Costea (referent).&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Peer-reviewers: <\/strong>Professor PhD Leon Rubin (University of Essex UK, East 15 Acting School, Honorary Professor at GITIS, FRSA and FRAS, Dean of LASALLE College of the Arts, Singapore), Dr. Jozefina Komporaly&nbsp;(Senior Lecturer in Creative Research, University of the Arts, London), Dr. Vasiliki Selioni (Affiliate Research Fellow, Visitor Lecturer, Royal Central School of Speech and Drama, University of London, UK Artistic Director of The Makings of the Actor), Professor Habil. PhD Anca-Doina Ciobotaru (UNAGE Ia\u015fi), Professor PhD Adrian Titieni (UNATC Bucharest), Associate Professor Habil. PhD Ioana Petcu (UNAGE Ia\u0219i), Associate Professor Habil. PhD Otilia Huzum (West University, Timi\u015foara), Professor PhD Crengu\u021ba-L\u0103cr\u0103mioara Bizu (University of Bucharest), Professor PhD Tania Filip (UNATC Bucharest), Associate Professor Habil. PhD Claudiu Turcu\u015f (UBB Cluj-Napoca), Associate Professor PhD Victor Mih\u0103ilescu (The Lower Danube University, Gala\u0163i), &nbsp;Associate Professor PhD Olga Gancevici (\u0218tefan cel Mare University, Suceava),&nbsp;Lecturer PhD Ana-Magdalena Petraru (Al.I. Cuza University Ia\u015fi), Lecturer PhD Patricia Nedelea (West University, Timi\u015foara).&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Honorary Advisory Board:<\/strong><\/p>\n\n\n\n<p><strong>Matei Vi\u015fniec <\/strong><em>\u2013<\/em><strong><em> <\/em><\/strong><em>Po\u00e8te, auteur dramatique, prosateur et journaliste roumano-fran\u00e7ais<\/em>;<br><strong>Gary Schwartz <\/strong><em>\u2013<\/em><strong> <\/strong><em>Director of The Spolin Players<\/em><strong><em> <\/em><\/strong><em>and Intuitive Learning Systems, USA<\/em>;<br><strong>Elisabeta Bostan <\/strong><em>\u2013<\/em><strong> <\/strong><em>Professor Doctor Honoris Causa, I.L. Caragiale UNATC, Bucharest, Romania<\/em>;<br><strong>Stanislav Semerdjiev<\/strong> <em>\u2013<\/em> <em>Professor PhD, Rector of the&nbsp;National Academy of Theatre and Film Arts, Sofia, Bulgaria; Executive Director&nbsp;CILECT (The World Association of Film and Television Schools)<\/em>;<br><strong>Miruna Runcan<em> <\/em><\/strong><em>\u2013<\/em><strong><em> <\/em><\/strong><em>Professor Habil. PhD, Babe\u015f-Bolyai University, Cluj-Napoca, Romania<\/em>;<br><strong>Ion Bogdan Lefter<\/strong> <em>\u2013<\/em> <em>Professor Emeritus PhD at the Faculty of Letters, member of the Doctoral School in Letters, University of Bucharest, Romania<\/em>;<br><strong>Anca Rusu<\/strong><em> \u2013<\/em><strong><em> <\/em><\/strong><em>Professor PhD, George Enescu National University of Arts, Ia\u015fi, Romania<\/em>;<br><strong>Nicolae Mandea <\/strong><em>\u2013<\/em><strong> <\/strong><em>Professor PhD, I.L. Caragiale UNATC, Bucharest, Romania<\/em>;<br><strong>Florin Mih\u0103ilescu <\/strong><em>\u2013<\/em><strong> <\/strong><em>Professor PhD, I.L. Caragiale UNATC, Bucharest, Romania<\/em>;<br><strong>Stere Gulea <\/strong><em>\u2013<\/em><strong> <\/strong><em>Professor PhD, I.L. Caragiale UNATC, Bucharest, Romania<\/em>;<br><strong>Marian Popescu <\/strong><em>\u2013<\/em><strong> <\/strong><em>Professor PhD, University of Bucharest, Babe\u015f-Bolyai University Cluj-Napoca, I.L. Caragiale UNATC, Bucharest, Romania<\/em>;<br><strong>Zviad Dolidze<\/strong> <em>\u2013<\/em> <em>PhD in Art Criticism (Film Studies),&nbsp;Professor of the Shota Rustaveli Theatre and Film Georgia State University, Dean of the Faculty of Art Sciences, Media&nbsp;and Management, Tbilisi, Georgia;&nbsp;&nbsp;<\/em><br><strong>Gilles Losseroy<\/strong> <em>\u2013<\/em> <em>Ma\u00eetre de conf\u00e9rences, UFR Arts, Lettres et Langues de Nancy, Universit\u00e9 de Lorraine, France<\/em>;<br><strong>St\u00e9phane Poliakov <\/strong><em>\u2013 Ma\u00eetre de conf\u00e9rences, D\u00e9partement Th\u00e9\u00e2tre, Universit\u00e9 Paris 8, France<\/em>;<br><strong>Sanja Krsmanovi\u0107 Tasi\u0107<\/strong>&nbsp;<em>\u2013<\/em> <em>President of IDEA (International Drama\/Theatre and Education Association), President of CEDEUM, Artistic Director of Hleb Teatar and Mater Terra Festival, Serbia<\/em>;<br><strong>Roc\u00edo Galicia<\/strong> <em>\u2013 Director of the Mexican Association of Theater Research, M\u00e9xico<\/em>;<br><strong>Andreas Markantonatos<\/strong> <em>\u2013<\/em> <em>Director of the Centre for Ancient Rhetoric and Drama, Professor of Greek,&nbsp;University of the Peloponnese, Greece<\/em>;<br><strong>Barbara Georgopoulou<\/strong> <em>\u2013<\/em> <em>Professor of Greek Theatre and Theatre Criticism, University of the Peloponnese, Greece<\/em><br><strong>Elizabeth Jochum<\/strong> <strong><em>\u2013<\/em><\/strong> <em>RELATE Research Laboratory for Art and Technology, Aalborg University, Denmark&nbsp;<\/em><br><strong>Joaqu\u00edn Amores Moreno<\/strong><em> \u2013 Head of Departamento Interpretaci\u00f3n of ESAD, Universidad Laboral, Gij\u00f3n-Asturias, Espa\u00f1a<\/em>;<br><strong>Antonio Prieto Stambaugh&nbsp;<\/strong><em>\u2013<\/em>&nbsp;<em>Professor PhD at the Universidad Veracruzana&#8217;s Theatre Faculty in&nbsp;M\u00e9xico. Director of the peer-reviewed journal&nbsp;<\/em>Investigaci\u00f3n Teatral;<br><strong>Lola Proa\u00f1o-G\u00f3mez <\/strong><em>\u2013 Guest Researcher at the Gino Germani Instituto de Investigaci\u00f3n<\/em> <em>of the University of Buenos Aires, Argentina; Professor Emeritus of Pasadena City College, US<\/em>;<br><strong>Gustavo Geirola <\/strong><em>\u2013<\/em><strong> <\/strong><em>Argentinian<\/em><strong> <\/strong><em>theater director and researcher, Emeritus Professor of Whittier College, Los Angeles, California and Professor PhD at Arizona State University, US<\/em>;<br><strong>Luz Emilia Aguilar Zinser <\/strong><em>\u2013<\/em><strong> <\/strong><em>Critica, editora, pedagoga y investigadora teatral, M\u00e9xico<\/em>;<br><strong>David Chambers <\/strong><em>\u2013<\/em><strong> <\/strong><em>Professor of Acting and Directing at the Yale School of Drama, USA<\/em>;<br><strong>Eric Trules<\/strong> <em>\u2013<\/em> <em>Associate Professor of Practice at the University of Southern California, USA<\/em>;<br><strong>Diana Cup\u015fa<\/strong><em> \u2013 Head of the Theatre and Dance MFA Design Program, Tulane University, USA<\/em>;<br><strong>Cristian Pepino <\/strong><em>\u2013<\/em><strong> <\/strong><em>Professor PhD, I.L. Caragiale UNATC, Bucharest, Romania<\/em>;<br><strong>Ion Gagim <\/strong><em>\u2013<\/em><strong> <\/strong><em>Professor Habil. PhD, Alecu Russo State University, B\u0103l\u0163i, Moldova; Master of Arts, Corresponding member of the Academy of Sciences in Moldova<\/em>;<br><strong>Adrian Ghicov <\/strong><em>\u2013 Professor Habil. PhD, Ion Creang\u0103 State Pedagogical University, Chi\u015fin\u0103u, Moldova<\/em>;<br><strong>George Valentin Volceanov<\/strong><em> \u2013 Lexicographer, translator and editor, Professor PhD, Spiru Haret University, Romania<\/em>;<br><strong>Antonio Centeno Ortiz <\/strong><em>\u2013 Professor PhD at the Universitat Aut\u00f2noma de Barcelona, member of the Advisory Council of the State Strategy for Deinstitutionalization, Espa\u00f1a.&nbsp;<\/em><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2022\/09\/Concept-223_2021.pdf\"><img loading=\"lazy\" decoding=\"async\" width=\"461\" height=\"667\" src=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2023\/03\/Concept-223_2021_Page_001.jpg\" alt=\"Concept 2 (23) \/ 2021\" class=\"wp-image-10528\" srcset=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2023\/03\/Concept-223_2021_Page_001.jpg 461w, https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2023\/03\/Concept-223_2021_Page_001-104x150.jpg 104w\" sizes=\"auto, (max-width: 461px) 100vw, 461px\" \/><\/a><figcaption class=\"wp-element-caption\">Concept 2 (23) \/ 2021<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2023\/03\/Revista-Concept-nr-24_tot-red.pdf\"><img loading=\"lazy\" decoding=\"async\" width=\"945\" height=\"1359\" src=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2023\/03\/Revista-Concept-nr-24_tot-red_Page_001.jpg\" alt=\"\" class=\"wp-image-10522\" style=\"object-fit:cover\" srcset=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2023\/03\/Revista-Concept-nr-24_tot-red_Page_001.jpg 945w, https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2023\/03\/Revista-Concept-nr-24_tot-red_Page_001-104x150.jpg 104w\" sizes=\"auto, (max-width: 945px) 100vw, 945px\" \/><\/a><figcaption class=\"wp-element-caption\">Concept 1 (24) &#8211; 2022<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/04\/CONCEPT-issue-26_web-red_DOI.pdf\"><img loading=\"lazy\" decoding=\"async\" width=\"472\" height=\"679\" src=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/04\/CONCEPT26.webp\" alt=\"CONCEPT 1(26) 2023\" class=\"wp-image-13254\" srcset=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/04\/CONCEPT26.webp 472w, https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/04\/CONCEPT26-104x150.webp 104w\" sizes=\"auto, (max-width: 472px) 100vw, 472px\" \/><\/a><figcaption class=\"wp-element-caption\">Concept 1 (26) \/ 2023<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/04\/CONCEPT-issue-25_web-red_3.pdf\"><img loading=\"lazy\" decoding=\"async\" width=\"472\" height=\"679\" src=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/04\/CONCEPT-issue-25_web-red_3-1.jpg\" alt=\"\" class=\"wp-image-13267\" srcset=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/04\/CONCEPT-issue-25_web-red_3-1.jpg 472w, https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/04\/CONCEPT-issue-25_web-red_3-1-104x150.jpg 104w\" sizes=\"auto, (max-width: 472px) 100vw, 472px\" \/><\/a><figcaption class=\"wp-element-caption\">Concept 2 (25) \/ 2022<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/07\/Revista-Concept-nr-27_ptr-web.pdf\"><img loading=\"lazy\" decoding=\"async\" width=\"1776\" height=\"2574\" src=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/07\/concept2-272023.jpg\" alt=\"\" class=\"wp-image-13797\" srcset=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/07\/concept2-272023.jpg 1776w, https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/07\/concept2-272023-103x150.jpg 103w, https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/07\/concept2-272023-1413x2048.jpg 1413w\" sizes=\"auto, (max-width: 1776px) 100vw, 1776px\" \/><\/a><figcaption class=\"wp-element-caption\">Concept 2 (27) \/ 2023<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/12\/CONCEPT-issue-28_web-red.pdf\"><img loading=\"lazy\" decoding=\"async\" width=\"1776\" height=\"2574\" src=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/12\/concept-2024.webp\" alt=\"\" class=\"wp-image-14445\" style=\"width:508px;height:auto\" srcset=\"https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/12\/concept-2024.webp 1776w, https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/12\/concept-2024-103x150.webp 103w, https:\/\/unatc.ro\/devunatc\/wp-content\/uploads\/2024\/12\/concept-2024-1413x2048.webp 1413w\" sizes=\"auto, (max-width: 1776px) 100vw, 1776px\" \/><\/a><figcaption class=\"wp-element-caption\">Concept 1 (28) \/ 2024<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"no-padding\">CONCEPT is a biannual open access academic publication, published since 2010, edited by the I.L. Caragiale Bucharest National University of&#8230;<\/p>\n","protected":false},"author":1,"featured_media":7846,"parent":17,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-tab-group-color.php","meta":{"footnotes":""},"class_list":["post-7287","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":{"galerie_foto":null,"titlu_prezentare_departament":"","text_prezentare_departament":"","alternative_page_title":"","page_contact_email":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>CONCEPT - UNATC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/unatc.ro\/devunatc\/cercetare\/concept\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CONCEPT - UNATC\" \/>\n<meta property=\"og:description\" content=\"CONCEPT is a biannual open access academic publication, published since 2010, edited by the I.L. 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